1
00:00:04,280 --> 00:00:07,400
{\an8}[crowd cheering]

2
00:00:07,600 --> 00:00:10,240
- [♪ "Help!" playing]
- ♪ <i>...not so self-assured ♪</i>

3
00:00:10,320 --> 00:00:12,440
<i>♪ Now I find
I've changed my mind ♪</i>

4
00:00:12,520 --> 00:00:14,720
<i>♪ I've opened up the doors ♪</i>

5
00:00:15,000 --> 00:00:19,000
<i>♪ Help me if you can,
I'm feeling down... ♪</i>

6
00:00:19,520 --> 00:00:24,080
<i>♪ And I do appreciate
you being 'round ♪</i>

7
00:00:26,480 --> 00:00:27,680
{\an8}[♪ music concludes]

8
00:00:35,080 --> 00:00:36,960
I mean, we don't know,
it may be next week,

9
00:00:37,040 --> 00:00:38,640
it may be two or three years,

10
00:00:38,720 --> 00:00:41,400
but I think we'll be
in the business,

11
00:00:41,480 --> 00:00:45,640
either up there or down there,
for at least another four years.

12
00:00:46,240 --> 00:00:49,000
You can be big-headed and say,
"Yeah, we're gonna last ten years."

13
00:00:49,440 --> 00:00:51,040
But as soon
as you've said that, you think,

14
00:00:51,360 --> 00:00:53,480
you know, "We're lucky if we
last three months," you know.

15
00:00:53,960 --> 00:00:57,000
Probably, the thing that John
and I will do, uh,

16
00:00:57,080 --> 00:00:59,320
will be write songs,
as we have been doing,

17
00:00:59,400 --> 00:01:01,040
as a sort of sideline now.

18
00:01:01,280 --> 00:01:02,880
We'll probably develop that
a bit more.

19
00:01:03,040 --> 00:01:05,400
But before they showed
evidence of that,

20
00:01:05,480 --> 00:01:07,000
{\an8}I still had to have
an album out.

21
00:01:07,600 --> 00:01:10,120
{\an8}And so what I did was, I mean,
I'd been up to the Cavern

22
00:01:10,200 --> 00:01:11,640
{\an8}and I'd seen
what they could do,

23
00:01:11,760 --> 00:01:12,840
I knew their repertoire,

24
00:01:12,920 --> 00:01:14,120
I knew what they were
able to perform,

25
00:01:14,800 --> 00:01:17,320
and I said, "Let's record
every song you've got."

26
00:01:17,920 --> 00:01:19,120
Come down to the studios,

27
00:01:19,200 --> 00:01:21,080
"and we'll just whistle
through them in a day."

28
00:01:21,160 --> 00:01:23,120
- [bass guitar noodling]
- [George Martin] <i>Here we go.</i>

29
00:01:23,280 --> 00:01:24,280
[John] <i>You 'right?</i>

30
00:01:24,960 --> 00:01:27,680
<i>Get this bloody little mic</i>
<i>out the way.</i> [clears throat]

31
00:01:28,040 --> 00:01:29,440
- [Paul] <i>Don't be nervous, John.</i>
- [John] <i>I'm not.</i>

32
00:01:29,520 --> 00:01:31,000
[Paul] <i>Don't be nervous. Don't be nervous.</i>

33
00:01:31,360 --> 00:01:32,720
[engineer] <i>Take 7.</i>

34
00:01:32,880 --> 00:01:34,280
[Paul] <i>One, two, three, four!</i>

35
00:01:34,360 --> 00:01:36,520
[♪ "I Saw Her
Standing There" playing]

36
00:01:39,360 --> 00:01:42,280
<i>♪ Well, she was just seventeen ♪</i>

37
00:01:42,640 --> 00:01:45,360
<i>♪ You know what I mean ♪</i>

38
00:01:45,520 --> 00:01:47,040
- [♪ "Chains" playing]
<i>- ♪ Chains ♪</i>

39
00:01:47,120 --> 00:01:50,520
<i>♪ My baby's got me
locked up in chains ♪</i>

40
00:01:50,920 --> 00:01:52,720
{\an8}[Ringo] But we knew
those songs, you see,

41
00:01:52,840 --> 00:01:54,640
because that was the act
we did all over the country.

42
00:01:54,760 --> 00:01:57,360
- [♪ "Anna (Go to Him)" playing]
<i>- ♪ You say he loves you more than me ♪</i>

43
00:01:57,440 --> 00:01:59,680
<i>♪ So I will set you free ♪</i>

44
00:01:59,840 --> 00:02:01,040
<i>♪ Go with him ♪</i>

45
00:02:01,200 --> 00:02:03,040
- [♪ "Baby It's You" playing]
<i>- '♪ Cause, baby, it's you ♪</i>

46
00:02:03,120 --> 00:02:05,400
<i>♪ Sha-la-la-la-la-la-la ♪</i>

47
00:02:05,680 --> 00:02:07,320
<i>♪ Baby, it's you ♪</i>

48
00:02:07,400 --> 00:02:09,160
<i>♪ Sha-la-la-la-la-la-la ♪</i>

49
00:02:09,920 --> 00:02:10,960
<i>♪ Sha-la-la-la... ♪</i>

50
00:02:11,040 --> 00:02:12,280
[John] Rock and roll
was brand new

51
00:02:12,360 --> 00:02:14,720
when it came out,
and excited everybody.

52
00:02:14,800 --> 00:02:16,680
It had roots in blues and jazz.

53
00:02:16,920 --> 00:02:18,360
But you can't say
that rock and roll

54
00:02:18,440 --> 00:02:20,520
is like the Twenties music,
although if you look for it,

55
00:02:20,600 --> 00:02:22,320
you can find out
where it came from.

56
00:02:22,720 --> 00:02:24,680
And you can find out
where Beatles music came from,

57
00:02:24,760 --> 00:02:26,000
or any music came from.

58
00:02:26,080 --> 00:02:28,520
It's just like it has
its history.

59
00:02:28,600 --> 00:02:31,000
<i>♪ Oh, it doesn't matter
what they say... ♪</i>

60
00:02:31,080 --> 00:02:32,720
[George Martin] They were always
very influenced

61
00:02:32,800 --> 00:02:34,520
by American rhythm and blues.

62
00:02:35,320 --> 00:02:38,280
I think this is probably what
the so-called "Beatle sound" was

63
00:02:38,360 --> 00:02:41,000
because maybe they heard
the records before we did.

64
00:02:41,520 --> 00:02:43,640
But they knew much more
about Motown

65
00:02:43,720 --> 00:02:45,360
- and all the Black music...
- [♪ music concludes]

66
00:02:45,520 --> 00:02:47,840
...much more about it
than anybody else did,

67
00:02:48,280 --> 00:02:49,760
and that was a tremendous
influence on them.

68
00:02:49,880 --> 00:02:51,240
And the Beatles just carried it

69
00:02:52,440 --> 00:02:54,640
a bit further, made it
a little more White

70
00:02:54,720 --> 00:02:57,560
even than Elvis did,
because we were English, you know?

71
00:02:57,720 --> 00:03:00,200
- [guitar noodling]
- [John] <i>I can... I can 'ardly strum</i>

72
00:03:00,280 --> 00:03:02,920
<i>with all these microphones</i>
<i>about here.</i> [chuckles]

73
00:03:03,040 --> 00:03:06,720
- [♪ "Boys" playing]
<i>- ♪ My girl says when I kiss her lips ♪</i>

74
00:03:07,360 --> 00:03:09,480
<i>♪ Gets a thrill
through her fingertips ♪</i>

75
00:03:09,560 --> 00:03:10,600
<i>♪ Hey, hey ♪</i>

76
00:03:10,680 --> 00:03:12,880
<i>♪ Bop shuop, m'bop bop shuop ♪</i>

77
00:03:12,960 --> 00:03:14,080
<i>♪ Hey, hey ♪</i>

78
00:03:14,160 --> 00:03:16,680
<i>♪ Bop shuop,
m'bop bop shuop... ♪</i>

79
00:03:16,760 --> 00:03:18,160
[George] <i>We'd all say,</i>
<i>"Well, what about this?"</i>

80
00:03:18,240 --> 00:03:20,320
<i>"What about this?"
'Cause basically this album</i>

81
00:03:20,400 --> 00:03:23,440
<i>was just what we did live
in the clubs.</i>

82
00:03:23,520 --> 00:03:25,360
[engineer] <i>"Do You Want To Know</i>
<i>A Secret" Track 2, Take 8.</i>

83
00:03:25,520 --> 00:03:27,160
[John] <i>Shall we just do it</i>
<i>on the second verse,</i>

84
00:03:27,240 --> 00:03:28,640
<i>- like we said?</i>
- [George] <i>Second and last.</i>

85
00:03:28,720 --> 00:03:30,720
- [George Martin] <i>Just the second verse.</i>
- [John] <i>Okay. So we wait.</i>

86
00:03:30,800 --> 00:03:32,160
[♪ "Do You Want
To Know A Secret" playing]

87
00:03:32,240 --> 00:03:33,280
<i>♪ Listen ♪</i>

88
00:03:34,640 --> 00:03:36,840
<i>♪ Do you want
to know a secret? ♪</i>

89
00:03:38,440 --> 00:03:40,760
<i>♪ Do you promise not to tell? ♪</i>

90
00:03:41,400 --> 00:03:43,360
<i>♪ Whoa, oh, oh ♪</i>

91
00:03:43,440 --> 00:03:44,440
<i>♪ Closer... ♪</i>

92
00:03:44,520 --> 00:03:46,360
[John] <i>The first album</i>
<i>was recorded in a...</i>

93
00:03:46,440 --> 00:03:48,920
<i>one long 12-hour session,</i>

94
00:03:49,320 --> 00:03:53,080
<i>which the... the last song
to be done was a song called</i>

95
00:03:53,160 --> 00:03:54,960
<i>"Twist And Shout",
which nearly killed me.</i>

96
00:03:55,040 --> 00:03:56,240
- [♪ Music concludes]
<i>- You can hear that...</i>

97
00:03:56,360 --> 00:03:57,760
<i>I'm just some frantic guy,</i>

98
00:03:58,000 --> 00:03:59,600
<i>you know, doin' his best,</i>

99
00:03:59,760 --> 00:04:01,240
<i>but it's about the nearest
it could get</i>

100
00:04:01,320 --> 00:04:04,120
<i>to knowing what we sounded like
before we became</i>

101
00:04:04,200 --> 00:04:05,440
<i>the clever Beatles.</i>

102
00:04:05,640 --> 00:04:07,840
- [♪ "Twist And Shout" playing]
<i>- ♪ Well, shake it up, baby, now ♪</i>

103
00:04:07,920 --> 00:04:09,280
<i>♪ Shake it up, baby ♪</i>

104
00:04:09,440 --> 00:04:10,960
<i>♪ Twist and shout... ♪</i>

105
00:04:11,040 --> 00:04:13,680
[Paul] <i>John had to save</i>
<i>"Twist And Shout"</i>

106
00:04:13,840 --> 00:04:16,800
<i>till the last, and he was
sucking Zubes all day,</i>

107
00:04:16,920 --> 00:04:18,040
<i>those little throat tablets.</i>

108
00:04:18,120 --> 00:04:20,480
<i>And he finally
had to do "Twist And Shout",</i>

109
00:04:20,600 --> 00:04:22,640
<i>knowing he had to do it last
'cause it would just rip</i>

110
00:04:22,800 --> 00:04:24,400
<i>his throat apart to do it.
It was great.</i>

111
00:04:24,520 --> 00:04:26,080
<i>You can still hear that
on the record.</i>

112
00:04:26,240 --> 00:04:27,640
<i>♪ Look so good ♪</i>

113
00:04:27,720 --> 00:04:30,080
<i>♪ You know
you got me going, now ♪</i>

114
00:04:30,160 --> 00:04:31,280
<i>♪ Got me going ♪</i>

115
00:04:31,440 --> 00:04:33,240
<i>♪ Just like I knew you would ♪</i>

116
00:04:33,600 --> 00:04:35,640
<i>♪ Like I knew you would, ooh ♪</i>

117
00:04:35,720 --> 00:04:37,600
<i>♪ Well, shake it up, baby, now ♪</i>

118
00:04:37,680 --> 00:04:39,280
<i>♪ Shake it up, baby ♪</i>

119
00:04:39,640 --> 00:04:41,200
<i>♪ Twist and shout ♪</i>

120
00:04:41,520 --> 00:04:42,680
<i>♪ Twist and shout ♪</i>

121
00:04:42,760 --> 00:04:45,520
<i>♪ Come on, come on, come on,
come on, baby, now ♪</i>

122
00:04:45,640 --> 00:04:46,920
<i>♪ Come on, baby ♪</i>

123
00:04:47,040 --> 00:04:48,560
<i>♪ Come on and work it on out ♪</i>

124
00:04:49,240 --> 00:04:50,680
<i>♪ Work it on out, ooh ♪</i>

125
00:04:50,760 --> 00:04:52,240
<i>♪ You know you twist,
you little girl ♪</i>

126
00:04:52,320 --> 00:04:53,840
<i>♪ Twist, little girl ♪</i>

127
00:04:54,120 --> 00:04:56,320
<i>♪ You know you twist so fine ♪</i>

128
00:04:56,600 --> 00:04:57,640
<i>♪ Twist so fine ♪</i>

129
00:04:57,720 --> 00:05:00,320
<i>♪ Come on and twist
a little closer, now ♪</i>

130
00:05:00,480 --> 00:05:01,880
<i>♪ Twist a little closer ♪</i>

131
00:05:02,040 --> 00:05:04,160
<i>♪ And let me know
that you're mine ♪</i>

132
00:05:04,320 --> 00:05:07,320
<i>♪ Let me know you're mine, ooh ♪</i>

133
00:05:23,200 --> 00:05:24,880
<i>♪ Ah ♪</i>

134
00:05:25,240 --> 00:05:26,960
<i>♪ Ah ♪</i>

135
00:05:27,200 --> 00:05:28,840
<i>♪ Ah ♪</i>

136
00:05:29,200 --> 00:05:30,720
<i>♪ Ah ♪</i>

137
00:05:30,800 --> 00:05:32,520
<i>♪ Whaah! ♪</i>

138
00:05:32,840 --> 00:05:34,680
<i>♪ Yeah! ♪</i>

139
00:05:34,760 --> 00:05:35,880
<i>♪ Baby, now ♪</i>

140
00:05:35,960 --> 00:05:37,640
<i>♪ Shake it up, baby ♪</i>

141
00:05:38,000 --> 00:05:39,440
<i>♪ Twist and shout ♪</i>

142
00:05:39,560 --> 00:05:40,720
<i>♪ Twist and shout ♪</i>

143
00:05:41,120 --> 00:05:44,000
<i>♪ Come on, come on, come on,
come on, baby, now ♪</i>

144
00:05:44,080 --> 00:05:45,360
<i>♪ Come on, baby ♪</i>

145
00:05:45,520 --> 00:05:47,040
<i>♪ Come on and work it on out ♪</i>

146
00:05:47,200 --> 00:05:48,680
<i>♪ Work it on out, ooh ♪</i>

147
00:05:48,760 --> 00:05:50,720
<i>♪ You know you twist,
you little girl ♪</i>

148
00:05:51,040 --> 00:05:52,480
<i>♪ Twist, little girl ♪</i>

149
00:05:52,560 --> 00:05:54,800
<i>♪ You know you twist so fine ♪</i>

150
00:05:54,880 --> 00:05:56,360
<i>♪ Twist so fine ♪</i>

151
00:05:56,440 --> 00:05:58,840
<i>♪ Come on and twist
a little closer, now ♪</i>

152
00:05:58,920 --> 00:06:00,200
<i>♪ Twist a little closer ♪</i>

153
00:06:00,280 --> 00:06:02,680
<i>♪ And let me know
that you're mine ♪</i>

154
00:06:02,760 --> 00:06:04,280
<i>♪ Let me know
you're mine, ooh! ♪</i>

155
00:06:04,400 --> 00:06:06,600
<i>♪ Well, shake it, shake it,
shake it, baby, now ♪</i>

156
00:06:06,680 --> 00:06:08,000
<i>♪ Shake it up, baby ♪</i>

157
00:06:08,120 --> 00:06:10,480
<i>♪ Well, shake it, shake it,
shake it, baby, now ♪</i>

158
00:06:10,560 --> 00:06:12,080
<i>♪ Shake it up, baby ♪</i>

159
00:06:12,160 --> 00:06:14,360
<i>♪ Well, shake it, shake it,
shake it, baby, now ♪</i>

160
00:06:14,480 --> 00:06:16,080
<i>♪ Shake it up, baby ♪</i>

161
00:06:17,280 --> 00:06:18,920
<i>♪ Ah ♪</i>

162
00:06:19,000 --> 00:06:21,360
<i>♪ Ah ♪</i>

163
00:06:21,480 --> 00:06:23,880
<i>♪ Ah ♪</i>

164
00:06:27,440 --> 00:06:29,240
[George Martin] <i>We started</i>
<i>at 10 o'clock in the morning,</i>

165
00:06:29,320 --> 00:06:32,080
<i>finished 11 at night.
And that was the record made.</i>

166
00:06:33,080 --> 00:06:34,240
[Paul] <i>That's it. It's a master.</i>

167
00:06:34,320 --> 00:06:35,320
[♪ Music concludes]

168
00:06:35,400 --> 00:06:37,000
[Neil Aspinall]
When we used to... to tour,

169
00:06:37,120 --> 00:06:40,320
do those, um,
Arthur Howe touring shows

170
00:06:40,400 --> 00:06:42,680
{\an8}where you'd have quite
a number of people on the bill,

171
00:06:42,760 --> 00:06:46,320
{\an8}you know, Roy Orbison,
Tommy Roe,

172
00:06:46,920 --> 00:06:48,720
{\an8}Gerry and the Pacemakers...

173
00:06:50,520 --> 00:06:52,560
um, Helen Shapiro, whoever.

174
00:06:52,640 --> 00:06:54,360
But there'd be a number
of people on the bill,

175
00:06:54,440 --> 00:06:57,360
and everybody got like
12 minutes, 15 minutes,

176
00:06:57,440 --> 00:06:59,360
- 20 minutes, whatever.
- [♪ "Look Who It Is" playing]

177
00:06:59,480 --> 00:07:01,400
And it was really
just in that length of time,

178
00:07:01,480 --> 00:07:04,560
you know, all anybody could do
was, uh, plug their hit records,

179
00:07:04,640 --> 00:07:06,800
the ones that the...
the audience, uh,

180
00:07:07,000 --> 00:07:08,000
the audience knew.

181
00:07:08,160 --> 00:07:10,480
With Helen Shapiro
it was really embarrassing,

182
00:07:10,560 --> 00:07:11,760
'cause we were quite happy

183
00:07:11,840 --> 00:07:14,360
just to be
on a first nationwide tour

184
00:07:14,440 --> 00:07:15,880
of the proper theatres.

185
00:07:16,840 --> 00:07:18,480
She was kind of established.

186
00:07:18,560 --> 00:07:20,640
She'd been around
and had a bunch of hits

187
00:07:20,720 --> 00:07:23,160
and we were quite happy
just to be on that tour.

188
00:07:23,240 --> 00:07:24,880
But it was embarrassing
'cause I think

189
00:07:24,960 --> 00:07:26,720
"Please Please Me"
got to No. 1,

190
00:07:27,080 --> 00:07:28,760
right, while we were on the road.

191
00:07:29,440 --> 00:07:32,440
And all the people coming
to the show, um,

192
00:07:32,520 --> 00:07:33,880
and in the concert,
were just waiting

193
00:07:33,960 --> 00:07:36,960
for the Beatles and, uh,
it was kind of embarrassing,

194
00:07:37,320 --> 00:07:39,160
'cause she was very nice,
nice person.

195
00:07:39,240 --> 00:07:40,960
- [♪ Music concludes]
- I think it was the tour after that...

196
00:07:42,120 --> 00:07:44,280
- when it was Tommy Roe...
- [♪ "Thank You Girl" playing]

197
00:07:44,360 --> 00:07:46,920
...and Chris Montez
and the Beatles,

198
00:07:47,680 --> 00:07:50,000
they moved us to being,
you know,

199
00:07:50,080 --> 00:07:52,280
actually closing
the first half of the show.

200
00:07:52,360 --> 00:07:54,600
[John] <i>We were performers</i>
<i>in Liverpool, Hamburg</i>

201
00:07:54,680 --> 00:07:57,760
<i>and other dance halls,
you know, and what we generated</i>

202
00:07:58,120 --> 00:08:00,000
<i>- was fantastic.</i>
- [♪ music concludes]

203
00:08:00,080 --> 00:08:02,320
<i>And there was nobody
to touch us in Britain.</i>

204
00:08:02,400 --> 00:08:04,880
- [♪ "There's A Place" playing]
<i>- ♪ There's a place ♪</i>

205
00:08:05,560 --> 00:08:08,200
<i>♪ Where I can go... ♪</i>

206
00:08:08,520 --> 00:08:10,080
[Ringo] <i>We never</i>
<i>stopped anywhere.</i>

207
00:08:10,800 --> 00:08:12,680
<i>You know, if we were in Elgin</i>

208
00:08:13,720 --> 00:08:15,160
<i>on a Thursday</i>

209
00:08:15,920 --> 00:08:19,320
<i>and, uh, we needed to be
in, like, Portsmouth</i>

210
00:08:19,400 --> 00:08:22,480
<i>on Friday, you would just drive.</i>

211
00:08:23,200 --> 00:08:25,360
<i>You know, we didn't know
how to stop this van.</i>

212
00:08:25,840 --> 00:08:30,000
<i>♪ I think of you... ♪</i>

213
00:08:30,080 --> 00:08:32,840
[Ringo] <i>Neil'd drive</i>
<i>and there'd be the passenger seat,</i>

214
00:08:32,920 --> 00:08:35,920
<i>and then the three of us'd sit
on the bench seat,</i>

215
00:08:36,360 --> 00:08:37,880
<i>whichever three, you know.</i>

216
00:08:37,960 --> 00:08:41,640
<i>But the rest of us...</i> [chuckles]
<i>...would sit on this bench seat,</i>

217
00:08:41,720 --> 00:08:43,120
<i>which was pretty miserable.</i>

218
00:08:43,240 --> 00:08:45,600
<i>And we would just
go everywhere in this van,</i>

219
00:08:45,840 --> 00:08:47,640
<i>and the kit would, you know,
and the amps,</i>

220
00:08:47,720 --> 00:08:51,360
<i>everything would fit in it.
Some nights it was so foggy</i>

221
00:08:51,600 --> 00:08:53,800
<i>that you would be doing
at one mile an hour,</i>

222
00:08:54,360 --> 00:08:57,760
<i>and you'd still just keep going.</i>

223
00:08:57,840 --> 00:09:00,280
<i>It was like, you know,
we were like homing pigeons.</i>

224
00:09:00,680 --> 00:09:02,480
<i>We just had
to keep getting home.</i>

225
00:09:02,920 --> 00:09:05,120
[George] <i>We knew this guy, Mal,</i>
<i>'cause he used to come,</i>

226
00:09:05,200 --> 00:09:07,240
<i>he worked for the GPO,
and he used to come</i>

227
00:09:07,440 --> 00:09:09,640
<i>and be a part-time bouncer
on the Cavern.</i>

228
00:09:10,240 --> 00:09:13,000
<i>We got to know him and, uh,
it was somebody suggested</i>

229
00:09:13,080 --> 00:09:14,240
<i>he drive for us,</i>

230
00:09:14,560 --> 00:09:17,280
<i>so he drove us a couple of times
when Neil couldn't make it.</i>

231
00:09:17,360 --> 00:09:19,320
<i>And then there was
so much happening</i>

232
00:09:19,400 --> 00:09:20,920
<i>we needed another person,</i>

233
00:09:21,000 --> 00:09:22,760
<i>so we just employed him
full time.</i>

234
00:09:22,840 --> 00:09:25,160
[Paul] I do remember, however,
one... one moment,

235
00:09:25,560 --> 00:09:26,720
uh, we were going
up the motorway,

236
00:09:26,800 --> 00:09:29,000
{\an8}and the... the windscreen
got knocked out by a pebble.

237
00:09:29,280 --> 00:09:32,160
{\an8}So Mal just put his hat
on backwards... vzzz!

238
00:09:32,520 --> 00:09:34,960
{\an8}...punched the windscreen
out completely

239
00:09:35,280 --> 00:09:38,080
and, like, drove, you know.
But, of course, this was winter

240
00:09:38,160 --> 00:09:41,080
in Britain, and it was freezing.
And because it was foggy,

241
00:09:41,160 --> 00:09:43,240
he was having to look
for the curb all the time,

242
00:09:43,320 --> 00:09:46,320
all the way up to Liverpool,
you know, it's like 200 mile.

243
00:09:46,680 --> 00:09:49,200
[clears throat]
So we were very, very cold.

244
00:09:49,480 --> 00:09:53,360
And I remember what we did
was we, we lay on each other...

245
00:09:54,000 --> 00:09:55,320
...with a bottle of whisky.

246
00:09:55,920 --> 00:09:58,880
And then when the one
on the top got so cold

247
00:09:58,960 --> 00:10:02,480
it was, like,
hypothermia was setting in...

248
00:10:02,560 --> 00:10:05,400
[laughs] ...it was his turn
to get on the bottom,

249
00:10:05,640 --> 00:10:07,760
and then, you know,
we'd warm each other up

250
00:10:07,840 --> 00:10:10,080
that way,
and keep swigging the whisky.

251
00:10:10,240 --> 00:10:11,880
But it was quite an image,
you know,

252
00:10:11,960 --> 00:10:13,240
if... You know,
you'd think, you know,

253
00:10:13,320 --> 00:10:15,840
people think "stardom"
and "it's glamorous", you know.

254
00:10:15,920 --> 00:10:17,520
And there's us, freezing,

255
00:10:17,600 --> 00:10:20,400
lying literally on top
of each other. [Chuckles]

256
00:10:21,040 --> 00:10:22,560
Oh yeah, we were tight.

257
00:10:22,880 --> 00:10:24,960
That was one thing
to be said about us.

258
00:10:25,040 --> 00:10:27,960
We were really tight,
you know, as friends.

259
00:10:28,200 --> 00:10:30,320
We could argue a lot
amongst ourselves,

260
00:10:30,400 --> 00:10:33,200
but we were very,
very close to each other.

261
00:10:33,320 --> 00:10:35,320
- [♪ "It won't Be Long" playing]
<i>- ♪ It won't be long, yeah ♪</i>

262
00:10:35,400 --> 00:10:36,720
<i>♪ Yeah, yeah ♪</i>

263
00:10:36,800 --> 00:10:40,320
<i>♪ It won't be long,
yeah, yeah, yeah ♪</i>

264
00:10:40,400 --> 00:10:42,240
<i>♪ It won't be long, yeah ♪</i>

265
00:10:42,400 --> 00:10:45,520
<i>♪ Till I belong to you ♪</i>

266
00:10:48,480 --> 00:10:52,080
<i>♪ Every night
when everybody has fun ♪</i>

267
00:10:53,680 --> 00:10:57,200
<i>♪ Here am I,
sitting all on my own ♪</i>

268
00:10:59,840 --> 00:11:03,160
<i>♪ It won't be long,
yeah, yeah, yeah ♪</i>

269
00:11:03,280 --> 00:11:06,800
<i>♪ It won't be long,
yeah, yeah, yeah ♪</i>

270
00:11:06,960 --> 00:11:08,840
<i>♪ It won't be long, yeah ♪</i>

271
00:11:08,960 --> 00:11:11,880
<i>♪ Till I belong to you ♪</i>

272
00:11:14,160 --> 00:11:17,720
<i>♪ Since you left me,
I'm so alone ♪</i>

273
00:11:17,800 --> 00:11:21,760
<i>♪ Now you're coming,
you're coming on home ♪</i>

274
00:11:21,960 --> 00:11:24,640
<i>♪ I'll be good
like I know I should ♪</i>

275
00:11:24,800 --> 00:11:28,120
<i>♪ You're coming home,
you're coming home ♪</i>

276
00:11:29,480 --> 00:11:33,560
<i>♪ Every night the tears
come down from my eyes ♪</i>

277
00:11:34,840 --> 00:11:38,760
<i>♪ Every day
I've done nothing but cry ♪</i>

278
00:11:41,040 --> 00:11:44,160
<i>♪ It won't be long,
yeah, yeah, yeah ♪</i>

279
00:11:44,520 --> 00:11:48,200
<i>♪ It won't be long,
yeah, yeah, yeah ♪</i>

280
00:11:48,280 --> 00:11:50,240
<i>♪ It won't be long, yeah ♪</i>

281
00:11:50,360 --> 00:11:53,480
<i>♪ Till I belong to you ♪</i>

282
00:11:55,480 --> 00:11:59,200
<i>♪ Well, since you left me,
I'm so alone ♪</i>

283
00:11:59,280 --> 00:12:02,880
<i>♪ Now you're coming,
you're coming on home ♪</i>

284
00:12:03,440 --> 00:12:06,120
<i>♪ I'll be good
like I know I should ♪</i>

285
00:12:06,280 --> 00:12:09,960
<i>♪ You're coming home,
you're coming home ♪</i>

286
00:12:10,040 --> 00:12:14,720
<i>♪ So every day
we'll be happy, I know ♪</i>

287
00:12:16,400 --> 00:12:20,320
<i>♪ Now I know that you won't
leave me no more ♪</i>

288
00:12:22,560 --> 00:12:26,080
<i>♪ It won't be long,
yeah, yeah, yeah ♪</i>

289
00:12:26,280 --> 00:12:29,560
<i>♪ It won't be long,
yeah, yeah ♪</i>

290
00:12:29,640 --> 00:12:31,760
<i>♪ It won't be long, yeah ♪</i>

291
00:12:32,040 --> 00:12:38,400
<i>♪ Till I belong to you ♪</i>

292
00:12:41,920 --> 00:12:42,960
[♪ music concludes]

293
00:12:43,200 --> 00:12:45,640
One of the things
I was grateful for was that

294
00:12:45,800 --> 00:12:48,360
- we had a kind of staircase...
- [♪ "I'll Be On My Way" playing]

295
00:12:48,520 --> 00:12:50,360
...to climb,
through clubs like the Cavern,

296
00:12:50,800 --> 00:12:54,320
through, uh, up to ballrooms,
which were now instead of...

297
00:12:54,400 --> 00:12:56,080
- [crowd cheering]
- ...400, 500 people,

298
00:12:56,160 --> 00:12:57,960
it was now a couple
of thousand people.

299
00:12:58,480 --> 00:13:01,080
Then it was like, "Well, what's left?"
Well, uh, radio.

300
00:13:01,800 --> 00:13:03,720
We wanted to be
on the <i>Saturday Morning Club</i>

301
00:13:04,000 --> 00:13:06,440
Brian Matthews did,
which was a huge show.

302
00:13:06,520 --> 00:13:08,400
And the great thing
I loved about the show

303
00:13:08,480 --> 00:13:11,080
was you'd wake up
after your week of school,

304
00:13:11,160 --> 00:13:13,080
or whatever it was,
and you'd lie in.

305
00:13:13,600 --> 00:13:15,120
And I had a radio by my bed,

306
00:13:15,200 --> 00:13:17,360
and I'd lie in
until about 11:00.

307
00:13:17,880 --> 00:13:21,040
Great! The most delicious
lie-in ever of your life,

308
00:13:21,120 --> 00:13:23,280
you know,
those teenage lie-ins, Saturday.

309
00:13:24,080 --> 00:13:26,800
Lie in, and feeling great.
Turn the radio on, and this...

310
00:13:26,880 --> 00:13:29,440
this program would be on there
still for another hour,

311
00:13:29,920 --> 00:13:30,920
<i>Saturday Club.</i>

312
00:13:31,000 --> 00:13:32,680
So then we really wanted
to be on <i>that.</i>

313
00:13:32,760 --> 00:13:34,200
That was...
We knew that there were...

314
00:13:34,320 --> 00:13:37,400
people listened to that.
It was a huge, um, audience.

315
00:13:37,520 --> 00:13:38,840
[John] <i>We did a lot of tracks</i>

316
00:13:38,920 --> 00:13:40,760
<i>that were never recorded
on record</i>

317
00:13:40,840 --> 00:13:42,640
<i>- for </i>Saturday Club...
- [♪ "Lonesome Tears In My Eyes" playing]

318
00:13:42,720 --> 00:13:43,800
...a lot of stuff
we'd been doing

319
00:13:43,880 --> 00:13:45,320
at the Cavern
or Hamburg, you know.

320
00:13:45,400 --> 00:13:47,760
There was some good stuff,
and they were well-recorded too.

321
00:13:48,160 --> 00:13:50,440
<i>♪ Oh baby, baby,
baby, blues and sorrow ♪</i>

322
00:13:50,520 --> 00:13:51,880
<i>♪ And I love you tomorrow ♪</i>

323
00:13:51,960 --> 00:13:53,400
<i>♪ Just suit you just fine ♪</i>

324
00:13:53,960 --> 00:13:56,400
<i>♪ Oh baby, baby,
baby, blues and sorrow ♪</i>

325
00:13:56,480 --> 00:13:57,720
<i>♪ I love you tomorrow ♪</i>

326
00:13:57,800 --> 00:13:59,280
<i>♪ Just suit you just fine ♪</i>

327
00:13:59,720 --> 00:14:02,360
<i>♪ I can't forget
that you told me ♪</i>

328
00:14:02,600 --> 00:14:04,640
<i>♪ So many promising lies ♪</i>

329
00:14:05,280 --> 00:14:08,240
<i>♪ I'm a-tryin' to forget these ♪</i>

330
00:14:08,400 --> 00:14:10,360
<i>♪ Lonesome tears in my eyes ♪</i>

331
00:14:11,120 --> 00:14:12,640
[♪ "So How Come
(No One Loves Me)" playing]

332
00:14:12,720 --> 00:14:14,040
<i>♪ They say that everyone ♪</i>

333
00:14:15,120 --> 00:14:17,160
<i>♪ wants someone ♪</i>

334
00:14:18,160 --> 00:14:23,800
<i>♪ So how come no one wants me? ♪</i>

335
00:14:24,880 --> 00:14:27,360
<i>♪ And they say that everyone ♪</i>

336
00:14:28,720 --> 00:14:30,560
<i>♪ needs someone ♪</i>

337
00:14:31,600 --> 00:14:33,840
{\an8}<i>♪ So how come no one ♪</i>

338
00:14:35,240 --> 00:14:37,120
<i>♪ needs me? ♪</i>

339
00:14:39,000 --> 00:14:41,520
<i>♪ Well, if you wonder
who the loneliest creatures ♪</i>

340
00:14:41,600 --> 00:14:43,680
<i>♪ in the world can be ♪</i>

341
00:14:45,680 --> 00:14:47,800
{\an8}<i>♪ Well, they're
the ugly duckling ♪</i>

342
00:14:47,880 --> 00:14:51,680
<i>♪ the little black sheep
and me, uh-huh ♪</i>

343
00:14:51,760 --> 00:14:53,240
- [♪ music concludes]
- [John] <i>♪ We come along ♪</i>

344
00:14:53,320 --> 00:14:55,040
<i>♪ on Saturday morning ♪</i>

345
00:14:55,120 --> 00:14:58,400
<i>♪ Greeting everybody</i>
<i>with a smile ♪ </i>[laughs]

346
00:14:58,480 --> 00:15:00,840
[Brian Matthew] <i>Isn't that nice?</i>
<i>Thank you, dear Beatles.</i>

347
00:15:01,040 --> 00:15:02,640
I heard they were coming
to Manchester Odeon

348
00:15:02,720 --> 00:15:05,120
{\an8}and I'd... uh, the Odeon Cinema.

349
00:15:06,120 --> 00:15:09,520
{\an8}And we didn't cover...
we "theatre critics" so called,

350
00:15:09,600 --> 00:15:11,760
didn't cover one-night stands
of pop stars

351
00:15:11,920 --> 00:15:14,280
because there was no...
there was no continuity.

352
00:15:14,520 --> 00:15:17,680
But, anyway, I bought tickets
at a pound each, I think,

353
00:15:17,840 --> 00:15:20,240
and Gerry and the Pacemakers
had been on before,

354
00:15:20,320 --> 00:15:21,560
and Roy Orbison

355
00:15:21,640 --> 00:15:23,480
- preceded the Beatles.
- [♪ "Oh, Pretty Woman" playing]

356
00:15:23,640 --> 00:15:26,080
{\an8}<i>♪ 'Cause I need you ♪</i>

357
00:15:26,520 --> 00:15:29,800
{\an8}<i>♪ I'll treat you right ♪</i>

358
00:15:30,280 --> 00:15:33,480
{\an8}<i>♪ Come with me, baby ♪</i>

359
00:15:34,040 --> 00:15:41,040
<i>♪ Be mine tonight ♪</i>

360
00:15:42,560 --> 00:15:43,720
<i>♪ Pretty woman... ♪</i>

361
00:15:43,800 --> 00:15:45,680
[John] <i>It was pretty hard</i>
<i>to keep up with that man.</i>

362
00:15:45,760 --> 00:15:47,360
<i>He really
put on a show, you know?</i>

363
00:15:47,680 --> 00:15:50,920
<i>Well, they all did, but Orbison
had that fantastic voice.</i>

364
00:15:51,120 --> 00:15:53,040
[Paul] I remember
we'd be on the tour bus,

365
00:15:53,120 --> 00:15:54,960
and Roy would be
at the back of the bus.

366
00:15:55,040 --> 00:15:57,000
He'd be writing something like
"Pretty Woman", or something.

367
00:15:57,080 --> 00:15:58,240
I remember him
playing that to us.

368
00:15:58,320 --> 00:16:00,240
We said... [inhales sharply]
..."Great song."

369
00:16:00,520 --> 00:16:02,400
From this,
a little bit of competitiveness

370
00:16:02,480 --> 00:16:03,920
would come in,
a little bit of competition,

371
00:16:04,000 --> 00:16:05,280
'cause we'd think,
"We've got to write one

372
00:16:05,360 --> 00:16:06,720
- "as good as that."
- [♪ music concludes]

373
00:16:06,880 --> 00:16:10,040
So we were just trying
to improve all the time.

374
00:16:10,120 --> 00:16:13,000
And we'd listen to something
that somebody else had done

375
00:16:13,080 --> 00:16:14,480
and we'd just try
and beat it a bit.

376
00:16:14,560 --> 00:16:16,000
We'd try and beat
what we were doing.

377
00:16:16,360 --> 00:16:18,840
And, I mean,
by the time we got to something

378
00:16:18,920 --> 00:16:21,400
like "From Me To You",
it was nice,

379
00:16:21,480 --> 00:16:23,760
'cause the... the... I remember
being very pleased

380
00:16:23,840 --> 00:16:25,080
with the chord in the middle,

381
00:16:25,160 --> 00:16:26,600
which was different
from what we'd been using.

382
00:16:26,680 --> 00:16:27,920
<i>♪ If there's anything
that you want ♪</i>

383
00:16:28,000 --> 00:16:29,160
And then it went...

384
00:16:29,800 --> 00:16:33,240
<i>♪ ...arms that long to hold you
and keep you, da da da ♪</i>

385
00:16:33,320 --> 00:16:35,240
Just that...
<i>♪ Arms that long... ♪</i>

386
00:16:35,320 --> 00:16:37,960
Going to that minor chord there,
was like, "Ooh!"

387
00:16:38,040 --> 00:16:39,800
You know, this is something
we hadn't done before.

388
00:16:39,920 --> 00:16:43,560
- [♪ "From Me To You" playing]
<i>- ♪ I got arms that long to hold you ♪</i>

389
00:16:43,640 --> 00:16:46,560
<i>♪ And keep you by my side ♪</i>

390
00:16:46,840 --> 00:16:50,400
<i>♪ I got lips that long
to kiss you ♪</i>

391
00:16:50,720 --> 00:16:53,800
<i>♪ And keep you satisfied, ooh! ♪</i>

392
00:16:54,080 --> 00:16:56,440
<i>♪ If there's anything
that you want ♪</i>

393
00:16:57,320 --> 00:17:00,320
<i>♪ If there's anything I can do ♪</i>

394
00:17:00,920 --> 00:17:04,080
<i>♪ Just call on me
and I'll send it along ♪</i>

395
00:17:04,440 --> 00:17:07,280
<i>♪ With love from me to you ♪</i>

396
00:17:07,920 --> 00:17:09,440
<i>♪ To you ♪</i>

397
00:17:09,640 --> 00:17:11,240
<i>♪ To you ♪</i>

398
00:17:11,360 --> 00:17:13,440
<i>♪ To you ♪</i>

399
00:17:15,640 --> 00:17:17,640
You'd always know when
they were gonna be on the radio.

400
00:17:17,720 --> 00:17:18,720
[♪ Music concludes]

401
00:17:18,800 --> 00:17:21,040
And so, you know, Brian is,
"Oh, it's gonna be on at..."

402
00:17:21,120 --> 00:17:23,240
"Hello, boys. It's going to be
on at twenty past seven."

403
00:17:23,320 --> 00:17:25,560
[laughs] And we'd all be
in the car,

404
00:17:25,640 --> 00:17:28,360
and we'd stop! Wherever we were
we would hope,

405
00:17:28,440 --> 00:17:29,520
so we could listen to this.

406
00:17:29,600 --> 00:17:31,400
- [♪ "From Me To You" playing]
<i>- ♪ Just call on me ♪</i>

407
00:17:31,480 --> 00:17:33,120
<i>♪ And I'll send it along ♪</i>

408
00:17:33,200 --> 00:17:35,400
<i>♪ With love from me to you... ♪</i>

409
00:17:35,560 --> 00:17:37,640
[Brian Matthew] <i>The Beatles</i>
<i>and "From Me To You".</i>

410
00:17:37,720 --> 00:17:40,000
<i>Their third single release
which, incidentally,</i>

411
00:17:40,080 --> 00:17:42,320
<i>is this week sitting
at the top of the Hit Parade.</i>

412
00:17:46,240 --> 00:17:48,000
- [♪ Music concludes]
- And the other great deal was every time

413
00:17:48,080 --> 00:17:49,280
it moved in the charts,

414
00:17:49,360 --> 00:17:52,360
we'd have a celebratory dinner,
you know, so...

415
00:17:52,840 --> 00:17:55,000
You notice, uh,
if you look at the Beatles

416
00:17:55,080 --> 00:17:57,240
from when they started,
in the first 18 months

417
00:17:57,320 --> 00:17:58,640
they went...
[imitates inflating]

418
00:17:58,720 --> 00:18:00,840
They just went blumph right up,

419
00:18:01,200 --> 00:18:02,880
because we were eating
all this food.

420
00:18:03,800 --> 00:18:05,240
That's when I discovered
smoked salmon.

421
00:18:05,320 --> 00:18:07,840
Never had any salmon that didn't
come out of a tin

422
00:18:07,920 --> 00:18:09,760
until I was 22! [Laughs]

423
00:18:10,120 --> 00:18:12,520
[John] <i>In the early days,</i>
<i>we'd make a record in 12 hours,</i>

424
00:18:12,600 --> 00:18:13,920
<i>- or something.</i>
- [♪ "Thank You Girl" playing]

425
00:18:14,000 --> 00:18:15,440
[John] <i>And they'd want a single</i>
<i>every three months.</i>

426
00:18:15,520 --> 00:18:17,840
<i>And we'd have to be writing it
literally in the hotel</i>

427
00:18:17,920 --> 00:18:21,320
<i>or on... in a van.
The demand on us was tremendous.</i>

428
00:18:21,400 --> 00:18:22,840
<i>♪ ...been good to me... ♪</i>

429
00:18:22,920 --> 00:18:25,120
[Paul] I remember sitting
on a pair of twin beds

430
00:18:25,200 --> 00:18:26,480
in a hotel bedroom.

431
00:18:26,760 --> 00:18:29,480
Had a day off, so we were
going to write a song.

432
00:18:29,920 --> 00:18:31,920
All our early songs
had always had...

433
00:18:32,360 --> 00:18:35,280
"Please Please Me",
"From Me To You",

434
00:18:35,440 --> 00:18:36,800
"P.S. I Love You",

435
00:18:36,880 --> 00:18:39,840
they'd always had
this very personal thing,

436
00:18:39,920 --> 00:18:41,040
"Thank You Girl".

437
00:18:41,560 --> 00:18:44,760
And we hit on the idea of doing
a kind of reported conversation.

438
00:18:44,920 --> 00:18:46,160
"I saw her yesterday.

439
00:18:46,280 --> 00:18:49,160
She told me what to say.
She said she loves you!"

440
00:18:49,320 --> 00:18:51,840
So it just gave us another
little dimension, really.

441
00:18:51,960 --> 00:18:54,920
It just meant that the song then
was something different

442
00:18:55,000 --> 00:18:56,280
from what we, and other people,

443
00:18:56,360 --> 00:18:57,520
- had written before.
- [♪ music concludes]

444
00:18:57,640 --> 00:18:59,040
{\an8}- [crowd cheering]
- [Brian Matthew] I have it

445
00:18:59,120 --> 00:19:01,160
{\an8}from a reliable source
that a half million

446
00:19:01,240 --> 00:19:02,680
{\an8}advance orders have been made

447
00:19:02,760 --> 00:19:04,480
{\an8}for the Beatles'
latest single release,

448
00:19:04,560 --> 00:19:05,880
- "She Loves You".
- [crowd screaming, cheering]

449
00:19:06,000 --> 00:19:07,480
It looks as though
it could well be

450
00:19:07,560 --> 00:19:10,080
three No. 1s in a row
for the Liverpool boys.

451
00:19:10,160 --> 00:19:14,960
[crowd screaming, cheering]

452
00:19:15,080 --> 00:19:17,560
- It's called "She Loves You". Ha-ha!
- [♪ "She Loves You" playing]

453
00:19:17,640 --> 00:19:20,480
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

454
00:19:20,560 --> 00:19:23,440
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

455
00:19:23,760 --> 00:19:26,720
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

456
00:19:26,880 --> 00:19:28,880
<i>♪ Yeah ♪</i>

457
00:19:29,880 --> 00:19:32,280
<i>♪ You think
you've lost your love ♪</i>

458
00:19:32,640 --> 00:19:35,720
<i>♪ Well, I saw her yesterday ♪</i>

459
00:19:35,800 --> 00:19:38,360
- [screams]
<i>- ♪ It's you she's thinking of ♪</i>

460
00:19:38,880 --> 00:19:41,880
<i>♪ And she told me what to say ♪</i>

461
00:19:41,960 --> 00:19:43,520
<i>♪ She said she loves you ♪</i>

462
00:19:43,640 --> 00:19:47,320
<i>♪ And you know
that can't be bad ♪</i>

463
00:19:48,360 --> 00:19:49,680
<i>♪ She loves you ♪</i>

464
00:19:49,760 --> 00:19:52,720
<i>♪ And you know
you should be glad ♪</i>

465
00:19:54,680 --> 00:19:57,080
<i>♪ She said you hurt her so ♪</i>

466
00:19:57,640 --> 00:20:00,400
<i>♪ She almost lost her mind ♪</i>

467
00:20:00,840 --> 00:20:03,320
<i>♪ Now she says she knows ♪</i>

468
00:20:03,760 --> 00:20:06,560
<i>♪ You're not the hurting kind ♪</i>

469
00:20:06,640 --> 00:20:08,120
<i>♪ She said she loves you ♪</i>

470
00:20:08,200 --> 00:20:11,320
<i>♪ And you know
that can't be bad ♪</i>

471
00:20:13,160 --> 00:20:14,400
<i>♪ She loves you ♪</i>

472
00:20:14,480 --> 00:20:17,520
<i>♪ And you know
you should be glad ♪</i>

473
00:20:17,600 --> 00:20:19,040
<i>♪ Ooh! ♪</i>

474
00:20:19,120 --> 00:20:21,800
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

475
00:20:22,240 --> 00:20:25,000
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

476
00:20:25,120 --> 00:20:29,560
<i>♪ With a love like that,
you know you should be glad ♪</i>

477
00:20:31,600 --> 00:20:34,120
<i>♪ You know, it's up to you ♪</i>

478
00:20:34,480 --> 00:20:37,320
<i>♪ I think it's only fair ♪</i>

479
00:20:37,480 --> 00:20:40,120
<i>♪ Pride can hurt you too ♪</i>

480
00:20:40,680 --> 00:20:43,240
<i>♪ Apologize to her ♪</i>

481
00:20:43,480 --> 00:20:44,960
<i>♪ Because she loves you ♪</i>

482
00:20:45,080 --> 00:20:48,240
<i>♪ And you know
that can't be bad ♪</i>

483
00:20:49,920 --> 00:20:51,120
<i>♪ She loves you ♪</i>

484
00:20:51,200 --> 00:20:54,320
<i>♪ And you know
you should be glad ♪</i>

485
00:20:54,680 --> 00:20:56,040
<i>♪ Ooh! ♪</i>

486
00:20:56,120 --> 00:20:58,520
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

487
00:20:58,920 --> 00:21:01,680
<i>♪ She loves you,
yeah, yeah, yeah ♪</i>

488
00:21:01,760 --> 00:21:06,400
<i>♪ With a love like that,
you know you should be glad ♪</i>

489
00:21:08,000 --> 00:21:12,640
<i>♪ With a love like that,
you know you should be glad ♪</i>

490
00:21:14,360 --> 00:21:21,120
<i>♪ With a love like that,
you know you should be glad ♪</i>

491
00:21:23,440 --> 00:21:25,800
<i>♪ Yeah, yeah, yeah ♪</i>

492
00:21:26,360 --> 00:21:30,400
<i>♪ Yeah, yeah, yeah, yeah ♪</i>

493
00:21:30,480 --> 00:21:35,200
- [crowd screaming, cheering]
- [♪ music concludes]

494
00:21:35,280 --> 00:21:36,880
When we go home, you know,

495
00:21:37,040 --> 00:21:39,920
we go in early in the morning
when we've finished the job,

496
00:21:40,000 --> 00:21:43,120
and the kids, you know,
they don't know you're at home.

497
00:21:43,200 --> 00:21:45,240
But if they find out,
well, where I live,

498
00:21:45,320 --> 00:21:47,600
they get the drums out,
you know, and beat it out.

499
00:21:47,720 --> 00:21:49,520
- [crowd cheering]
- [♪ "I'll Get You" playing]

500
00:21:49,640 --> 00:21:54,440
<i>♪ Oh yeah, oh yeah, oh yeah ♪</i>

501
00:21:54,520 --> 00:21:56,080
[Ringo] It was getting
really big.

502
00:21:56,160 --> 00:21:59,800
I think we noticed as we tried
to move around town

503
00:21:59,880 --> 00:22:02,840
we started, you know, started
being noticed in the street.

504
00:22:04,520 --> 00:22:06,160
It was impossible to go home.

505
00:22:06,600 --> 00:22:10,600
And also, it's very true,
if you're in our business,

506
00:22:10,680 --> 00:22:11,960
you go to London.

507
00:22:12,680 --> 00:22:15,800
And that's where it happens.
The recordings are there.

508
00:22:16,480 --> 00:22:18,440
The places to be seen are there.

509
00:22:18,720 --> 00:22:20,760
Where it's happening is there.

510
00:22:21,280 --> 00:22:23,360
It's just a natural move,
you know.

511
00:22:24,160 --> 00:22:25,920
You know, and George and I
shared an apartment

512
00:22:26,000 --> 00:22:28,920
in Green Street, Park Lane,
wow, 45 quid a week.

513
00:22:29,040 --> 00:22:30,040
A fortune!

514
00:22:30,440 --> 00:22:32,240
And we'd go
to The Saddle Rooms,

515
00:22:32,440 --> 00:22:33,640
used to be a club.

516
00:22:33,720 --> 00:22:36,320
And, uh, they used
to have this horse

517
00:22:36,400 --> 00:22:38,640
and, uh, coach outside,

518
00:22:39,440 --> 00:22:41,440
and there'd be two little
drunken Beatles

519
00:22:41,520 --> 00:22:43,400
in the back of this coach
being taken home

520
00:22:43,480 --> 00:22:45,480
to Green Street,
up Park Lane, clip-clop.

521
00:22:45,960 --> 00:22:47,800
And this is two shit-kickers
from Liverpool.

522
00:22:47,880 --> 00:22:50,320
I mean, this is
far-out news here. [Laughs]

523
00:22:50,400 --> 00:22:52,120
"Oh, let's take the carriage!"

524
00:22:52,200 --> 00:22:54,560
[chuckles] "Okay."
[clicks tongue]

525
00:22:56,400 --> 00:22:58,240
[John] <i>And it was great,</i>
<i>you know. We were kings.</i>

526
00:22:58,320 --> 00:23:01,240
<i>And we all,
you know, just at the prime.</i>

527
00:23:01,320 --> 00:23:02,960
<i>And we all used to just...</i>

528
00:23:03,040 --> 00:23:05,080
<i>- go round London in our cars...</i>
- [♪ music concludes]

529
00:23:05,200 --> 00:23:06,800
<i>...and meet each other
and talk about music</i>

530
00:23:06,880 --> 00:23:08,800
<i>with the Animals and Eric,
and all that.</i>

531
00:23:08,960 --> 00:23:11,040
<i>And we were very close
to the Stones.</i>

532
00:23:12,320 --> 00:23:13,320
<i>They needed a record.</i>

533
00:23:13,400 --> 00:23:15,040
<i>They'd put out "Come On"
by Chuck Berry,</i>

534
00:23:15,120 --> 00:23:16,560
<i>and they needed
a quick follow-up,</i>

535
00:23:16,680 --> 00:23:18,160
<i>"I Wanna Be Your Man",</i>

536
00:23:18,640 --> 00:23:21,320
<i>which we virtually
finished off in front of them.</i>

537
00:23:21,400 --> 00:23:22,680
{\an8}[♪ "I Wanna Be
Your Man" playing]

538
00:23:22,760 --> 00:23:23,960
{\an8}<i>♪ I wanna be your man ♪</i>

539
00:23:24,040 --> 00:23:25,800
{\an8}<i>♪ I wanna be your man ♪</i>

540
00:23:26,920 --> 00:23:28,800
{\an8}<i>♪ I wanna be your man ♪</i>

541
00:23:29,840 --> 00:23:31,880
<i>♪ I wanna be your man ♪</i>

542
00:23:33,720 --> 00:23:36,120
<i>♪ Tell me
that you love me, baby ♪</i>

543
00:23:36,200 --> 00:23:38,480
<i>♪ Tell me you understand ♪</i>

544
00:23:39,320 --> 00:23:41,800
<i>♪ Tell me
that you love me, baby</i>

545
00:23:41,880 --> 00:23:44,160
<i>♪ Tell me you understand ♪</i>

546
00:23:44,240 --> 00:23:47,120
<i>♪ Yes, I wanna be
your lover, baby ♪</i>

547
00:23:47,360 --> 00:23:49,160
<i>♪ I wanna be your man ♪</i>

548
00:23:49,240 --> 00:23:51,960
<i>♪ Yes, I wanna be,
I wanna be your baby... ♪</i>

549
00:23:52,040 --> 00:23:54,640
[John] <i>They did it first.</i>
<i>We did it with Ringo after.</i>

550
00:23:55,080 --> 00:23:56,440
[♪ "I Wanna Be
Your Man" playing]

551
00:23:56,520 --> 00:23:57,680
<i>♪ I wanna be your man ♪</i>

552
00:23:57,840 --> 00:24:00,120
<i>♪ I wanna be your man ♪</i>

553
00:24:00,240 --> 00:24:02,040
<i>♪ I wanna be your man ♪</i>

554
00:24:02,680 --> 00:24:05,560
<i>♪ I wanna be your man ♪</i>

555
00:24:05,920 --> 00:24:08,320
<i>♪ Tell me that you love me,
baby ♪</i>

556
00:24:08,400 --> 00:24:10,280
<i>♪ Let me understand ♪</i>

557
00:24:10,800 --> 00:24:13,200
<i>♪ Tell me that you love me,
baby ♪</i>

558
00:24:13,320 --> 00:24:15,200
<i>♪ I wanna be your man ♪</i>

559
00:24:15,720 --> 00:24:18,080
<i>♪ I wanna be your lover, baby ♪</i>

560
00:24:18,200 --> 00:24:20,040
<i>♪ I wanna be your man ♪</i>

561
00:24:20,800 --> 00:24:22,920
<i>♪ I wanna be your lover, baby ♪</i>

562
00:24:23,040 --> 00:24:25,080
<i>♪ I wanna be your man ♪</i>

563
00:24:25,600 --> 00:24:27,600
<i>♪ I wanna be your man ♪</i>

564
00:24:28,200 --> 00:24:29,800
<i>♪ I wanna be your man ♪</i>

565
00:24:30,200 --> 00:24:32,320
<i>♪ I wanna be your man ♪</i>

566
00:24:33,080 --> 00:24:35,960
<i>♪ I wanna be your man, wah! ♪</i>

567
00:24:36,040 --> 00:24:39,720
We were always kinda, you know,
a little nervous

568
00:24:39,800 --> 00:24:42,320
before each step
we went up the ladder.

569
00:24:42,400 --> 00:24:45,080
We were a little nervous.
But we always had that confidence.

570
00:24:45,360 --> 00:24:46,640
[Eric Morecambe] Eyaahh!

571
00:24:46,760 --> 00:24:48,600
{\an8}- [audience laughing]
- [laughs]

572
00:24:48,680 --> 00:24:50,720
{\an8}It's the Kay Sisters.
They've got on wigs.

573
00:24:50,800 --> 00:24:52,240
{\an8}- [audience laughing]
- Fabulous.

574
00:24:52,320 --> 00:24:53,560
The Kay Sisters? This is The...

575
00:24:53,640 --> 00:24:55,520
- Have you dyed your hair?
- This is The Beatles!

576
00:24:55,720 --> 00:24:57,400
Hello, Beatle.

577
00:24:57,480 --> 00:24:59,160
- [audience laughing]
- All right?

578
00:24:59,240 --> 00:25:00,600
- Where is he?
- Where is he?

579
00:25:00,680 --> 00:25:03,840
There he is! Hello, Bongo!

580
00:25:03,920 --> 00:25:07,160
[all laugh]

581
00:25:07,600 --> 00:25:08,880
That's Ringo!

582
00:25:08,960 --> 00:25:10,520
[Eric Morecambe] Oh, is he there as well?
Oh, good.

583
00:25:10,600 --> 00:25:12,000
[audience laughing]

584
00:25:12,080 --> 00:25:13,480
- By golly!
- Boys, as you can gather,

585
00:25:13,560 --> 00:25:14,760
this is Eric. Say hello to Eric.

586
00:25:14,840 --> 00:25:15,840
- Yeah.
- Hello, Eric.

587
00:25:15,920 --> 00:25:16,920
- Hello, mate.
- I remember you.

588
00:25:17,000 --> 00:25:19,040
You're the one
with the short fat hairy legs.

589
00:25:19,760 --> 00:25:22,880
No, no, no. He's... He's the one
with the short fat hairy legs.

590
00:25:22,960 --> 00:25:24,920
- Oh, I thought it was...
- No, him.

591
00:25:25,000 --> 00:25:26,240
- Yeah.
- We're the ones with the big,

592
00:25:26,320 --> 00:25:27,560
fat hairy heads.

593
00:25:27,640 --> 00:25:28,840
- [audience laughing]
- [laughs]

594
00:25:28,920 --> 00:25:30,720
- Get out of that!
- Hey!

595
00:25:30,800 --> 00:25:33,280
[laughs] What's it like being famous?

596
00:25:33,360 --> 00:25:35,000
Well, it's not like in your day,
you know.

597
00:25:35,080 --> 00:25:38,200
- [laughs]
- [audience laughing]

598
00:25:38,280 --> 00:25:39,280
What?

599
00:25:40,800 --> 00:25:42,720
No, no, that's an insult,
that is.

600
00:25:42,800 --> 00:25:44,880
- [laughs]
- [audience laughing]

601
00:25:44,960 --> 00:25:46,520
What do you mean,
"Not like in my day?"

602
00:25:46,600 --> 00:25:48,440
Well, me dad used to tell me
about you, you know?

603
00:25:48,520 --> 00:25:50,160
- In the old days.
- You've only got a little dad,

604
00:25:50,240 --> 00:25:52,320
- have you?
- [all laugh]

605
00:25:54,200 --> 00:25:55,920
Your dad used to tell you...

606
00:25:56,000 --> 00:25:58,440
- That's a bit strong, innit?
- No, he's right.

607
00:25:58,520 --> 00:26:00,800
- [Eric Morecambe] All right, Bonzo?
- [audience laughing]

608
00:26:00,880 --> 00:26:02,600
- It's Ringo!
- Yeah, him as well.

609
00:26:02,920 --> 00:26:04,200
Get 'em off, Ern,
they've done enough now.

610
00:26:04,280 --> 00:26:05,280
What do you mean, "done enough"?

611
00:26:05,360 --> 00:26:07,120
No, well, they're getting
insulting now. Get 'em off.

612
00:26:07,280 --> 00:26:09,440
And that was the good thing
about being four together,

613
00:26:09,520 --> 00:26:11,240
not like Elvis, you know,

614
00:26:11,640 --> 00:26:13,400
I always felt sorry
later for Elvis

615
00:26:13,480 --> 00:26:16,040
'cause he was on his own.
He had his guys with him,

616
00:26:16,120 --> 00:26:18,040
but there was only one Elvis.

617
00:26:18,120 --> 00:26:20,320
Nobody else knew
what he felt like.

618
00:26:20,880 --> 00:26:23,840
But for us,
we all shared the experience.

619
00:26:23,920 --> 00:26:25,600
[Paul] <i>One, two, three, four.</i>

620
00:26:25,680 --> 00:26:27,640
[♪ "What You're Doing"
intro playing]

621
00:26:32,960 --> 00:26:34,640
- [♪ Music concludes]
- [Paul] <i>George? What did it sound like</i>

622
00:26:34,720 --> 00:26:35,880
<i>with the bass
doing a funny thing?</i>

623
00:26:35,960 --> 00:26:38,640
<i>Did it sound any good, or did it
sound just like utterly crap?</i>

624
00:26:39,400 --> 00:26:40,720
[George Martin]
<i>It sounded rather magnificent.</i>

625
00:26:40,800 --> 00:26:42,600
[Paul] <i>Did it? Well, there! See!</i>
<i>Told you! Nerrhh!</i>

626
00:26:42,720 --> 00:26:44,200
<i>Hello to you,
and see how you like it!</i>

627
00:26:44,280 --> 00:26:45,960
[George Martin] We had
a great time in the studio.

628
00:26:46,040 --> 00:26:47,680
They were enormously
happy times.

629
00:26:47,760 --> 00:26:50,120
And, uh, they would
fool around a lot, you know,

630
00:26:50,200 --> 00:26:51,640
and have...
have a bit of a laugh,

631
00:26:51,720 --> 00:26:53,320
particularly
when overdubbing voices.

632
00:26:54,000 --> 00:26:56,600
Um, but my memory
of those times

633
00:26:56,680 --> 00:26:57,720
were very happy ones.

634
00:26:57,800 --> 00:27:03,160
- [♪ "This Boy" playing]
<i>- ♪ ...would be happy just to love you ♪</i>

635
00:27:04,360 --> 00:27:07,680
<i>♪ But, oh my ♪</i>

636
00:27:07,840 --> 00:27:08,840
<i>♪ This boy ♪</i>

637
00:27:08,920 --> 00:27:10,160
[John sings] <i>♪ That boy ♪</i>
[chuckles] <i>Stop!</i>

638
00:27:10,240 --> 00:27:11,760
[Paul sings] <i>♪ This boy,</i>
<i>that boy, that boy... ♪</i>

639
00:27:11,840 --> 00:27:12,920
[John] <i>I've got</i>
<i>"This boy, that boy."</i>

640
00:27:13,000 --> 00:27:14,120
[Paul sings]
♪ <i>That little boy ♪</i>

641
00:27:14,240 --> 00:27:15,760
[engineer]
<i>Take 2, "This Boy", Take 2.</i>

642
00:27:16,000 --> 00:27:17,480
[guitar strumming]

643
00:27:17,560 --> 00:27:19,400
[John clears throat] <i>Try it now</i>
<i>and say, "This boy."</i>

644
00:27:19,480 --> 00:27:21,600
[Paul] <i>And if I don't, well,</i>
<i>it's just too bad, I'nt it?</i>

645
00:27:21,960 --> 00:27:23,000
<i>Yer daft get!</i>

646
00:27:23,080 --> 00:27:25,200
[John] <i>You don't have to say it,</i>
<i>you just have to sort of look</i>

647
00:27:25,320 --> 00:27:26,680
<i>and I'll think, "What is it?"
and I'll think...</i>

648
00:27:26,760 --> 00:27:27,800
[engineer] <i>Take 13.</i>

649
00:27:27,920 --> 00:27:30,640
[Paul laughs] <i>I was just</i>
<i>thinking of that...</i>

650
00:27:30,880 --> 00:27:32,080
[sings] ♪ <i>That boy ♪</i>

651
00:27:32,160 --> 00:27:34,080
<i>I just went dead loud
on one bit.</i>

652
00:27:34,280 --> 00:27:37,240
[John] <i>Oh, come on!</i>
<i>A-one, two, three, fower!</i>

653
00:27:37,320 --> 00:27:39,520
[♪ "This Boy" playing]

654
00:27:43,760 --> 00:27:46,680
<i>♪ That boy ♪</i>

655
00:27:47,920 --> 00:27:52,480
♪ <i>Took my love away</i> ♪

656
00:27:54,240 --> 00:27:59,600
<i>♪ Though he'll regret it
some day ♪</i>

657
00:27:59,840 --> 00:28:06,080
<i>♪ But this boy
wants you back again ♪</i>

658
00:28:10,160 --> 00:28:13,000
<i>♪ That boy ♪</i>

659
00:28:14,200 --> 00:28:19,360
<i>♪ Isn't good for you ♪</i>

660
00:28:20,520 --> 00:28:26,000
<i>♪ Though he may want you too ♪</i>

661
00:28:26,480 --> 00:28:32,600
<i>♪ This boy
wants you back again ♪</i>

662
00:28:34,640 --> 00:28:37,800
<i>♪ Oh, and this boy ♪</i>

663
00:28:38,800 --> 00:28:44,480
<i>♪ Would be happy
just to love you ♪</i>

664
00:28:45,360 --> 00:28:49,360
<i>♪ But, oh my ♪</i>

665
00:28:49,440 --> 00:28:53,920
<i>♪ That boy won't be happy ♪</i>

666
00:28:55,840 --> 00:29:02,360
<i>♪ Till he's seen you cry ♪</i>

667
00:29:02,440 --> 00:29:05,240
<i>♪ This boy ♪</i>

668
00:29:06,360 --> 00:29:10,920
<i>♪ Wouldn't mind the pain ♪</i>

669
00:29:12,600 --> 00:29:18,080
<i>♪ Would always feel the same ♪</i>

670
00:29:18,240 --> 00:29:24,400
<i>♪ If this boy
gets you back again ♪</i>

671
00:29:28,320 --> 00:29:31,560
<i>♪ This boy ♪</i>

672
00:29:35,160 --> 00:29:39,640
We do like the fans and enjoy
reading the publicity about us.

673
00:29:39,720 --> 00:29:42,200
But, from time to time,
you don't realize

674
00:29:42,280 --> 00:29:44,880
that it's actually
about yourself.

675
00:29:44,960 --> 00:29:46,360
- [♪ Music concludes]
- You see your pictures

676
00:29:46,440 --> 00:29:48,320
and read articles about,

677
00:29:48,400 --> 00:29:50,760
you know, George Harrison
and Ringo Starr,

678
00:29:50,840 --> 00:29:53,320
Paul and John, uh,
but you don't actually think,

679
00:29:53,400 --> 00:29:56,120
"Oh, that's me.
There I am in the paper."

680
00:29:56,440 --> 00:29:57,640
It's... It's funny.

681
00:29:57,720 --> 00:29:59,320
It's just as though
it's a different person.

682
00:29:59,800 --> 00:30:01,680
It all sounds complaining,
and that, but you know, we're not.

683
00:30:01,760 --> 00:30:03,800
We're just putting
the point is that,

684
00:30:03,880 --> 00:30:06,520
you know, it affects your home
more than it does yourself,

685
00:30:06,600 --> 00:30:08,800
you know, because you know
what to expect.

686
00:30:08,960 --> 00:30:10,520
But your parents
and your family, you know,

687
00:30:10,720 --> 00:30:11,840
they don't know
what's happening.

688
00:30:12,360 --> 00:30:13,680
[Ringo]
<i>You were treated differently,</i>

689
00:30:14,240 --> 00:30:15,800
<i>and you had to get</i>
<i>used to </i>that<i> then.</i>

690
00:30:15,880 --> 00:30:18,360
<i>Then you, you know,
you find yourself in...</i>

691
00:30:18,440 --> 00:30:20,200
<i>- in a weird land...</i>
- [crowd cheering]

692
00:30:20,760 --> 00:30:23,240
<i>...because of all these people
you've grown up and lived with.</i>

693
00:30:25,160 --> 00:30:26,280
<i>Suddenly, you...</i>

694
00:30:26,360 --> 00:30:28,440
<i>It was the one place
you didn't want it to change.</i>

695
00:30:29,240 --> 00:30:30,920
<i>Because it all changed
out there.</i>

696
00:30:31,360 --> 00:30:34,360
<i>And you were never secure,
really, who your friends were,</i>

697
00:30:34,440 --> 00:30:35,800
<i>unless you had 'em before.</i>

698
00:30:36,560 --> 00:30:39,000
[George] <i>You know,</i>
<i>people are so in awe of fame.</i>

699
00:30:39,120 --> 00:30:41,240
<i>I mean, all you have to do
is go on the radio</i>

700
00:30:41,320 --> 00:30:43,360
<i>- or the television once...</i>
- [crowd cheering]

701
00:30:43,600 --> 00:30:45,040
<i>...and if somebody
sees you on there</i>

702
00:30:45,120 --> 00:30:46,560
<i>and then they see you
down the street,</i>

703
00:30:46,640 --> 00:30:47,760
<i>they act different, don't they?</i>

704
00:30:47,840 --> 00:30:49,960
<i>But the Beatles
was being on the papers</i>

705
00:30:50,040 --> 00:30:52,800
<i>every day for a year or so.</i>

706
00:30:53,000 --> 00:30:54,440
<i>Everybody changes, you know.</i>

707
00:30:54,520 --> 00:30:58,560
<i>They're so impressed by it.
People forget how to act normal.</i>

708
00:30:59,440 --> 00:31:05,480
The one absolute clear vision,
was I was at my auntie's...

709
00:31:07,240 --> 00:31:10,400
which I'd been
a thousand times before,

710
00:31:10,560 --> 00:31:13,360
and, uh, anyway, we were having
a cup of tea one night...

711
00:31:14,840 --> 00:31:18,000
may have even been
after an Empire show,

712
00:31:18,080 --> 00:31:19,480
or a Southport show...
[chuckles]

713
00:31:19,560 --> 00:31:22,680
...or one of those shows,
and, uh,

714
00:31:22,760 --> 00:31:24,800
somebody knocked
the little coffee table

715
00:31:24,880 --> 00:31:27,160
and my tea went in my saucer,
and suddenly it was,

716
00:31:27,240 --> 00:31:29,640
"He can't have that.
We have to tidy it up,"

717
00:31:29,720 --> 00:31:32,000
where that would never
have happened before,

718
00:31:32,680 --> 00:31:36,240
uh, just... And I thought,
"Oh, things are changing."

719
00:31:36,320 --> 00:31:39,440
I mean, it was an absolute
arrow in the brain, you know.

720
00:31:39,760 --> 00:31:41,760
{\an8}- [♪ "Long Tall Sally" playing]
- ♪ <i>I'm gonna tell Aunt Mary ♪</i>

721
00:31:41,840 --> 00:31:43,160
{\an8}<i>♪ 'bout Uncle John ♪</i>

722
00:31:43,280 --> 00:31:45,440
{\an8}<i>♪ Said he had been busy
but he got a lot of fun ♪</i>

723
00:31:45,560 --> 00:31:49,560
{\an8}<i>♪ Oh, baby, yeah, now, baby ♪</i>

724
00:31:49,640 --> 00:31:52,440
<i>♪ Woo-ooh-ooh, baby ♪</i>

725
00:31:53,000 --> 00:31:54,920
<i>♪ Some fun tonight ♪</i>

726
00:31:56,440 --> 00:31:58,920
<i>♪ Saw Uncle John,
bald-headed Sally ♪</i>

727
00:31:59,080 --> 00:32:01,440
<i>♪ Saw Aunt Mary coming
and he ducked back in the alley ♪</i>

728
00:32:01,560 --> 00:32:05,160
<i>♪ Oh, baby, yeah, now, baby ♪</i>

729
00:32:05,720 --> 00:32:08,320
<i>♪ Woo-ooh-ooh, baby ♪</i>

730
00:32:08,800 --> 00:32:11,080
<i>♪ Some fun tonight
Aaah! ♪</i>

731
00:32:26,320 --> 00:32:29,440
<i>♪ Yeah, we're gonna have
some fun tonight ♪</i>

732
00:32:30,000 --> 00:32:32,640
<i>♪ Have some fun tonight, wooh! ♪</i>

733
00:32:32,720 --> 00:32:34,640
<i>♪ Everything's all right ♪</i>

734
00:32:35,000 --> 00:32:36,840
<i>♪ Have some fun tonight ♪</i>

735
00:32:37,120 --> 00:32:40,400
<i>♪ Oh, have some fun, yeah ♪</i>

736
00:32:42,000 --> 00:32:44,800
<i>♪ Yeah, I'm gonna have
some fun tonight ♪</i>

737
00:32:45,280 --> 00:32:47,960
<i>♪ Have some fun to-aaah! ♪</i>

738
00:32:48,120 --> 00:32:49,760
<i>♪ Everything's all right ♪</i>

739
00:32:50,280 --> 00:32:52,440
<i>♪ Have some fun tonight ♪</i>

740
00:32:52,920 --> 00:32:56,960
<i>♪ Have some fun,
some fun tonight, yeah ♪</i>

741
00:32:59,120 --> 00:33:01,120
{\an8}- [crowd cheering]
- [♪ music concludes]

742
00:33:04,480 --> 00:33:06,560
{\an8}[Brian Matthew] <i>Today,</i>
<i>the Beatles returned from Sweden</i>

743
00:33:06,840 --> 00:33:09,080
<i>to be greeted by what
the British press are calling</i>

744
00:33:09,160 --> 00:33:10,480
<i>"Beatlemania".</i>

745
00:33:10,560 --> 00:33:13,000
<i>We'll see what the Queen Mother
thinks of Beatlemania</i>

746
00:33:13,120 --> 00:33:15,320
<i>when the Beatles perform</i>
<i>at </i>The Royal Variety Show

747
00:33:15,400 --> 00:33:17,680
<i>- on the 4th of November.</i>
- [crowd cheering]

748
00:33:18,280 --> 00:33:22,040
[Derek Taylor] I was sent to,
uh, pursue them,

749
00:33:22,840 --> 00:33:26,480
to harass them in,
uh, September '63

750
00:33:26,560 --> 00:33:28,680
by the News Editor
of the <i>Daily Express,</i>

751
00:33:29,160 --> 00:33:30,280
who said they'd had it.

752
00:33:30,360 --> 00:33:32,200
They were about to betray
their young fans

753
00:33:32,280 --> 00:33:35,440
by agreeing to appear
on <i>The Royal Variety Show.</i>

754
00:33:35,760 --> 00:33:37,400
"Go and get them. Get a quote."

755
00:33:38,240 --> 00:33:39,400
Get them
to condemn themselves...

756
00:33:39,480 --> 00:33:40,800
[chuckles] ...out of their own
mouths and say,

757
00:33:40,880 --> 00:33:42,160
'We shouldn't be doing it.
We know that.

758
00:33:42,240 --> 00:33:45,120
"We're betraying our fans'
and so on, and so on."

759
00:33:45,200 --> 00:33:47,040
Well, the long
and short of it was,

760
00:33:47,120 --> 00:33:48,440
uh, we all turned up,

761
00:33:48,520 --> 00:33:50,120
the <i>Daily Mail,</i>
the <i>Express,</i> the <i>Mirror.</i>

762
00:33:51,280 --> 00:33:54,480
They were very defiant.
And Ringo did the perfect quote,

763
00:33:54,800 --> 00:33:56,960
"I want to play me drums
for the Queen Mum."

764
00:33:57,040 --> 00:33:58,200
All that sort of stuff.

765
00:33:58,280 --> 00:34:01,800
We were the first
working-class singers

766
00:34:02,360 --> 00:34:05,960
that stayed working class
and pronounced it,

767
00:34:06,440 --> 00:34:07,920
didn't try and change
our accents,

768
00:34:08,000 --> 00:34:09,120
which in England are looked...

769
00:34:09,200 --> 00:34:11,240
were looked down upon,
probably still are.

770
00:34:11,480 --> 00:34:13,440
[interviewer] John, in...
in this <i>Royal Variety Show,</i>

771
00:34:13,520 --> 00:34:14,960
when you're appearing
before royalty,

772
00:34:15,280 --> 00:34:16,520
uh, your language has gotta be

773
00:34:16,600 --> 00:34:17,880
- pretty good, obviously.
- [chuckles softly]

774
00:34:17,960 --> 00:34:19,280
[interviewer] This thing
about Ted Heath saying

775
00:34:19,400 --> 00:34:21,440
that he couldn't distinguish,
uh, you from,

776
00:34:21,520 --> 00:34:23,520
- say, the Queen's English.
- [in RP accent] I can't understand Teddy.

777
00:34:23,600 --> 00:34:25,400
I can't understand Teddy
saying that at all, really.

778
00:34:25,480 --> 00:34:27,320
[all chuckling]

779
00:34:27,400 --> 00:34:29,760
- I'm not gonna vote for Ted!
- [chuckles]

780
00:34:30,080 --> 00:34:32,280
[interviewer] Paul, uh, have you thought
about your act for the show yet?

781
00:34:32,360 --> 00:34:34,480
Uh, any changes in the act,
or is it going to be, you know,

782
00:34:34,560 --> 00:34:35,920
the usual routine?

783
00:34:36,160 --> 00:34:38,040
No, we'll have to change it,
I'm sure. We can't...

784
00:34:38,120 --> 00:34:39,280
- Hey, stop hitting me.
- [John laughs]

785
00:34:39,360 --> 00:34:41,160
We... We'll have to change it,
but we can't, uh,

786
00:34:41,240 --> 00:34:42,600
do the same thing all the time.

787
00:34:42,800 --> 00:34:44,520
We haven't thought
about what we're gonna do yet.

788
00:34:44,600 --> 00:34:45,800
[interviewer]
Suits with collars on?

789
00:34:45,920 --> 00:34:47,160
- Brushed, parted hair...
- You never know.

790
00:34:47,240 --> 00:34:48,800
- ...something like that?
- We may not wear suits.

791
00:34:49,000 --> 00:34:51,120
You never know.
[chuckles] We've no idea.

792
00:34:51,200 --> 00:34:55,000
[crowd applauding]

793
00:35:04,480 --> 00:35:05,560
Thank you.

794
00:35:06,640 --> 00:35:09,400
For our last number,
I'd like to ask your help.

795
00:35:10,480 --> 00:35:11,920
The people in the cheaper seats,

796
00:35:12,000 --> 00:35:14,200
- clap your hands.
- [crowd laughing]

797
00:35:14,840 --> 00:35:16,920
And the rest of you, if you'd
just rattle your jewelry.

798
00:35:17,000 --> 00:35:21,960
[crowd laughing, applauding]

799
00:35:23,160 --> 00:35:26,640
Thank you. We'd like to sing
a song called "Twist And Shout".

800
00:35:26,720 --> 00:35:28,320
- [Paul] One, two, three!
- [♪ "Twist And Shout" playing]

801
00:35:28,400 --> 00:35:31,080
- Yeah!
- [Paul] Everybody! Hey!

802
00:35:34,840 --> 00:35:36,920
<i>♪ Well, shake it up, baby, now ♪</i>

803
00:35:37,000 --> 00:35:38,520
♪ <i>Shake it up, baby</i> ♪

804
00:35:38,920 --> 00:35:40,840
♪ <i>Twist and shout ♪</i>

805
00:35:40,920 --> 00:35:42,400
♪ <i>Twist and shout ♪</i>

806
00:35:42,480 --> 00:35:44,840
<i>♪ Come on, come on, come on,
come on, baby, now ♪</i>

807
00:35:44,920 --> 00:35:46,040
♪ <i>Come on, baby ♪</i>

808
00:35:46,120 --> 00:35:48,760
<i>♪ Come on and work it on out ♪</i>

809
00:35:48,840 --> 00:35:50,440
♪ <i>Work it on out, ooh ♪</i>

810
00:35:50,520 --> 00:35:52,640
<i>♪ Well, work it on out, now ♪</i>

811
00:35:52,720 --> 00:35:54,080
<i>♪ Work it on out ♪</i>

812
00:35:54,160 --> 00:35:56,440
♪ <i>You know you look so good ♪</i>

813
00:35:56,640 --> 00:35:57,920
<i>♪ Look so good ♪</i>

814
00:35:58,000 --> 00:36:00,640
♪ <i>You know</i>
<i>you got me goin', now ♪</i>

815
00:36:00,720 --> 00:36:01,840
<i>♪ Got me goin' ♪</i>

816
00:36:01,920 --> 00:36:04,000
♪ <i>Just like I knew you would ♪</i>

817
00:36:04,120 --> 00:36:06,320
♪ <i>Like I knew you would, ooh ♪</i>

818
00:36:06,400 --> 00:36:08,440
<i>♪ Well, shake it up, baby, now ♪</i>

819
00:36:08,520 --> 00:36:09,920
♪ <i>Shake it up, baby ♪</i>

820
00:36:10,320 --> 00:36:12,280
<i>♪ Twist and shout ♪</i>

821
00:36:12,400 --> 00:36:13,600
♪ <i>Twist and shout ♪</i>

822
00:36:13,680 --> 00:36:16,440
<i>♪ Come on, come on, come on,
come on, baby, now ♪</i>

823
00:36:16,520 --> 00:36:17,680
♪ <i>Come on, baby ♪</i>

824
00:36:17,760 --> 00:36:19,880
<i>♪ Come on and work it on out ♪</i>

825
00:36:20,320 --> 00:36:21,800
♪ <i>Work it on out, ooh</i> ♪

826
00:36:21,880 --> 00:36:24,120
<i>♪ Well, you twist,
you little girl ♪</i>

827
00:36:24,400 --> 00:36:25,640
♪ <i>Twist, little girl ♪</i>

828
00:36:25,760 --> 00:36:28,280
♪ <i>You know you twist so fine ♪</i>

829
00:36:28,480 --> 00:36:29,680
♪ <i>Twist so fine ♪</i>

830
00:36:29,760 --> 00:36:32,520
♪ <i>Come on and twist</i>
<i>a little closer, now ♪</i>

831
00:36:32,600 --> 00:36:33,880
<i>♪ Twist a little closer ♪</i>

832
00:36:33,960 --> 00:36:36,680
<i>♪ And let me know
that you're mine ♪</i>

833
00:36:36,760 --> 00:36:39,240
♪ <i>Let me know you're mine, ooh ♪</i>

834
00:36:55,800 --> 00:36:57,880
<i>♪ Ah ♪</i>

835
00:36:57,960 --> 00:36:59,960
<i>♪ Ah ♪</i>

836
00:37:00,040 --> 00:37:01,760
<i>♪ Ah ♪</i>

837
00:37:01,920 --> 00:37:04,080
♪ <i>Ah ♪</i>

838
00:37:04,160 --> 00:37:07,480
<i>- ♪ Aaah! ♪
- ♪ Ow! Ow! ♪</i>

839
00:37:07,560 --> 00:37:09,160
<i>♪ Yeah! Shake it up, baby, now ♪</i>

840
00:37:09,240 --> 00:37:10,760
♪ <i>Shake it up, baby</i> ♪

841
00:37:11,160 --> 00:37:13,040
<i>♪ Twist and shout ♪</i>

842
00:37:13,320 --> 00:37:14,440
♪ <i>Twist and shout ♪</i>

843
00:37:14,560 --> 00:37:17,400
<i>♪ Come on, come on, come on,
come on, baby, now ♪</i>

844
00:37:17,480 --> 00:37:18,760
♪ <i>Come on, baby ♪</i>

845
00:37:18,840 --> 00:37:21,400
<i>♪ Come on and work it on out ♪</i>

846
00:37:21,520 --> 00:37:23,040
<i>♪ Work it on out, ooh ♪</i>

847
00:37:23,120 --> 00:37:25,280
<i>♪ Well, you twist,
you little girl ♪</i>

848
00:37:25,480 --> 00:37:26,720
♪ <i>Twist, little girl ♪</i>

849
00:37:26,800 --> 00:37:29,400
♪ <i>You know you twist so fine</i> ♪

850
00:37:29,600 --> 00:37:30,840
♪ <i>Twist so fine ♪</i>

851
00:37:30,920 --> 00:37:33,600
<i>♪ Come on and twist
a little closer, now ♪</i>

852
00:37:33,680 --> 00:37:35,120
<i>♪ Twist a little closer ♪</i>

853
00:37:35,200 --> 00:37:37,520
<i>♪ And let me know
that you're mine ♪</i>

854
00:37:37,600 --> 00:37:39,080
♪ <i>Let me know you're mine ♪</i>

855
00:37:39,160 --> 00:37:41,760
♪ <i>Well, shake it, shake it,</i>
<i>shake it, baby, now ♪</i>

856
00:37:41,840 --> 00:37:43,240
♪ <i>Shake it up, baby ♪</i>

857
00:37:43,320 --> 00:37:45,920
<i>♪ Well, shake it, shake it,
shake it, baby, now ♪</i>

858
00:37:46,000 --> 00:37:47,360
♪ <i>Shake it up, baby ♪</i>

859
00:37:47,440 --> 00:37:49,960
<i>♪ Well, shake it, shake it,
shake it, baby, now ♪</i>

860
00:37:50,040 --> 00:37:51,880
♪ <i>Shake it up, baby ♪</i>

861
00:37:51,960 --> 00:37:53,200
<i>♪ Ooh ♪</i>

862
00:37:53,280 --> 00:37:55,240
<i>♪ Ah ♪</i>

863
00:37:55,360 --> 00:37:57,360
<i>♪ Ah ♪</i>

864
00:37:57,440 --> 00:37:59,240
<i>♪ Ah ♪</i>

865
00:37:59,400 --> 00:38:00,680
♪ <i>Yeah</i> ♪

866
00:38:04,200 --> 00:38:06,400
- [crowd applauding]
- [♪ music concludes]

867
00:38:06,480 --> 00:38:08,760
[♪ "Twist And Shout"
orchestral instrumental playing]

868
00:38:19,760 --> 00:38:21,400
[♪ Music concludes]

869
00:38:21,480 --> 00:38:23,880
- [♪ "It won't Be Long" playing]
- ♪ <i>It won't be long, yeah ♪</i>

870
00:38:23,960 --> 00:38:25,560
<i>♪ Yeah, yeah ♪</i>

871
00:38:25,640 --> 00:38:27,320
<i>♪ It won't be long, yeah ♪</i>

872
00:38:27,640 --> 00:38:28,960
<i>♪ Yeah, yeah ♪</i>

873
00:38:29,040 --> 00:38:31,320
<i>♪ It won't be long, yeah ♪</i>

874
00:38:31,440 --> 00:38:34,280
<i>♪ Till I belong to you ♪</i>

875
00:38:34,600 --> 00:38:36,320
- [♪ music concludes]
- [George Martin] <i>With The Beatles </i>was

876
00:38:36,400 --> 00:38:39,000
the first, kind of put-together album
of... of...

877
00:38:39,080 --> 00:38:41,280
first songbook, so to speak.

878
00:38:41,600 --> 00:38:44,880
And they gave me a list
of their songs and...

879
00:38:45,440 --> 00:38:49,080
and they were all thinking
in terms of singles, still.

880
00:38:49,160 --> 00:38:51,720
- [♪ "I Wanna Be Your Man" playing]
<i>- ♪ I wanna be your man ♪</i>

881
00:38:51,800 --> 00:38:53,440
<i>♪ I wanna be your man ♪</i>

882
00:38:53,640 --> 00:38:54,960
[George Martin]
<i>We weren't thinking in terms</i>

883
00:38:55,040 --> 00:38:57,160
<i>of an album being
an entity by itself.</i>

884
00:38:57,240 --> 00:38:58,880
<i>It was a collection
of their songs,</i>

885
00:38:59,160 --> 00:39:01,360
<i>and I think one or two
other people's songs as well.</i>

886
00:39:01,600 --> 00:39:03,640
[George] <i>There was a bunch</i>
<i>of cover versions on this,</i>

887
00:39:03,720 --> 00:39:04,800
<i>"Mister Postman".</i>

888
00:39:04,880 --> 00:39:06,240
- [♪ "Mister Postman" playing]
<i>- ♪ Wait! Oh yes ♪</i>

889
00:39:06,320 --> 00:39:08,640
<i>♪ Wait a minute,
Mister Postman ♪</i>

890
00:39:08,720 --> 00:39:12,600
- ♪ <i>Wait ♪</i>
<i>- ♪ Wait, Mister Postman ♪</i>

891
00:39:13,040 --> 00:39:15,440
<i>♪ Mister Postman,
look and see... ♪</i>

892
00:39:15,520 --> 00:39:18,240
[Ringo] <i>It was interesting</i>
<i>when I joined the Beatles,</i>

893
00:39:18,320 --> 00:39:19,600
<i>and we didn't really
know each other.</i>

894
00:39:19,680 --> 00:39:23,240
<i>But if we looked at each other's
record collection,</i>

895
00:39:23,440 --> 00:39:25,880
<i>the four of us virtually had
the same records.</i>

896
00:39:25,960 --> 00:39:27,760
♪ <i>From that girl of mine ♪</i>

897
00:39:28,600 --> 00:39:32,320
<i>♪ There must be
some word today ♪</i>

898
00:39:32,400 --> 00:39:35,280
<i>♪ From my girlfriend
so far away ♪</i>

899
00:39:36,040 --> 00:39:39,320
♪ <i>Please, Mister Postman,</i>
<i>look and see</i> ♪

900
00:39:40,040 --> 00:39:43,520
<i>♪ If there's a letter,
a letter for me ♪</i>

901
00:39:43,600 --> 00:39:44,680
<i>♪ I've been... ♪</i>

902
00:39:44,760 --> 00:39:47,480
[George Martin] And all we did
was to record singles.

903
00:39:47,560 --> 00:39:48,960
And the ones
that weren't too good,

904
00:39:49,440 --> 00:39:51,640
we wouldn't issue as singles,
we'd put them on an album.

905
00:39:51,720 --> 00:39:53,240
- [♪ "All My Loving" playing]
<i>- ♪ Close your eyes ♪</i>

906
00:39:53,360 --> 00:39:54,920
<i>♪ And I'll kiss you ♪</i>

907
00:39:55,080 --> 00:39:58,120
<i>♪ Tomorrow I'll miss you ♪</i>

908
00:39:58,560 --> 00:40:00,360
[John] <i>In the early days,</i>
<i>we were really set</i>

909
00:40:00,440 --> 00:40:01,920
<i>on giving people
their money's worth</i>

910
00:40:02,000 --> 00:40:03,040
<i>off the record.</i>

911
00:40:03,120 --> 00:40:05,600
<i>And that was our policy first,
just to put 14 tracks a side,</i>

912
00:40:05,680 --> 00:40:06,760
<i>it was brand new,</i>

913
00:40:06,880 --> 00:40:08,600
<i>and never put singles
on the albums,</i>

914
00:40:08,680 --> 00:40:10,440
<i>which everybody did,
was have a hit single</i>

915
00:40:10,520 --> 00:40:11,640
<i>and make an album round it.</i>

916
00:40:11,800 --> 00:40:15,480
<i>♪ ...all my loving to you ♪</i>

917
00:40:15,840 --> 00:40:16,880
[♪ "Roll Over Beethoven"
playing]

918
00:40:16,960 --> 00:40:18,520
<i>♪ Well, if you feel it
and like it ♪</i>

919
00:40:18,600 --> 00:40:21,200
<i>♪ Get your lover
and reel and rock it ♪</i>

920
00:40:21,440 --> 00:40:25,200
<i>♪ Roll it over and move on up
just a trifle further ♪</i>

921
00:40:25,280 --> 00:40:28,240
<i>♪ And reel and rock it,
roll it over ♪</i>

922
00:40:28,320 --> 00:40:30,040
<i>♪ Roll over Beethoven ♪</i>

923
00:40:30,120 --> 00:40:32,640
<i>♪ Dig these rhythm and blues ♪</i>

924
00:40:34,240 --> 00:40:36,560
[George] <i>Robert Freeman,</i>
<i>who took this picture,</i>

925
00:40:37,240 --> 00:40:40,200
<i>copied... our request, actually,</i>

926
00:40:40,280 --> 00:40:42,800
<i>he copied
Astrid Kirchherr's photographs.</i>

927
00:40:42,920 --> 00:40:44,160
<i>We showed him the pictures</i>

928
00:40:44,240 --> 00:40:45,680
<i>that we took in Hamburg
with Astrid, and said,</i>

929
00:40:45,760 --> 00:40:47,560
<i>"Why can't you do it like this?"</i>

930
00:40:49,440 --> 00:40:52,240
[Brian Matthew] <i>The Beatles'</i>
<i>second LP, </i>With The Beatles,

931
00:40:52,320 --> 00:40:55,240
<i>has broken the record
for advance sales of an LP.</i>

932
00:40:55,640 --> 00:40:58,400
With The Beatles<i> has an advance</i>
<i>of a quarter of a million.</i>

933
00:40:58,600 --> 00:41:01,920
<i>The record was previously held</i>
<i>by Elvis Presley's </i>Blue Hawaii.

934
00:41:02,160 --> 00:41:03,720
<i>Brian Epstein
could well be right</i>

935
00:41:03,800 --> 00:41:05,400
<i>in his prediction
that the Beatles,</i>

936
00:41:05,480 --> 00:41:08,200
<i>one day, will be bigger
than Elvis Presley.</i>

937
00:41:11,040 --> 00:41:12,960
- [♪ Music concludes]
- [crowd cheering, applauding]

938
00:41:13,040 --> 00:41:14,880
[John] You know, our goal
was to be as big as Elvis,

939
00:41:14,960 --> 00:41:16,600
but we didn't actually think
we were gonna do it.

940
00:41:16,680 --> 00:41:18,600
We... We couldn't think
in terms of going to America.

941
00:41:18,680 --> 00:41:21,200
I mean, that was like a dream.
I mean, you think locally.

942
00:41:21,280 --> 00:41:23,000
And first of all, it was making
it big in Liverpool.

943
00:41:23,080 --> 00:41:24,400
And then
being the best group in the...

944
00:41:24,480 --> 00:41:25,480
in the county, you know.

945
00:41:25,560 --> 00:41:27,920
Then being the best group
in England.

946
00:41:28,000 --> 00:41:29,760
And then we go up to Scotland
and break them in,

947
00:41:29,840 --> 00:41:31,000
and things like that.

948
00:41:31,080 --> 00:41:34,080
And your goal was always,
you know, just a few yards ahead

949
00:41:34,160 --> 00:41:35,280
rather than right up there.

950
00:41:35,440 --> 00:41:37,960
I think one of the cheekiest
things we ever did

951
00:41:38,040 --> 00:41:39,600
was say to Brian Epstein,

952
00:41:39,880 --> 00:41:42,600
"We're not going to America
till we've got a No. 1."

953
00:41:42,840 --> 00:41:45,360
And the reason we did that,
we'd seen a lot of people like,

954
00:41:45,440 --> 00:41:48,280
er, Adam Faith,
Cliff Richard, British stars,

955
00:41:48,360 --> 00:41:51,720
quite big stars over in Britain,
go over to America and be like

956
00:41:51,800 --> 00:41:54,680
third or fourth on the bill
to people like Frankie Avalon.

957
00:41:54,760 --> 00:41:57,680
George had been over there, uh,
to America,

958
00:41:57,760 --> 00:42:00,720
er, a little before we'd gone,
and nobody knew about us.

959
00:42:00,800 --> 00:42:02,960
And he came back
and got us all worried

960
00:42:03,600 --> 00:42:04,960
'cause he'd go
into record shops saying,

961
00:42:05,040 --> 00:42:06,520
"Have you got the Beatles, uh,
records?"

962
00:42:06,600 --> 00:42:07,640
[chuckles] And they'd say,
"Who?"

963
00:42:07,720 --> 00:42:10,360
And the EMI company wouldn't,
which was Capitol,

964
00:42:10,440 --> 00:42:13,120
wouldn't put out our records
for some reason.

965
00:42:13,200 --> 00:42:16,000
Somebody else may be able
to fill us in on that.

966
00:42:16,080 --> 00:42:17,360
I don't know why.

967
00:42:17,440 --> 00:42:20,840
I would send them to my friends
in America at Capitol Records,

968
00:42:20,920 --> 00:42:23,280
and say,
"This group is fantastic.

969
00:42:23,360 --> 00:42:25,040
You've got to issue them
and you've got to sell them

970
00:42:25,120 --> 00:42:26,120
in the States."

971
00:42:26,400 --> 00:42:29,040
And each time,
the Head of Capitol Records,

972
00:42:29,120 --> 00:42:30,880
like St Peter,
would turn it down

973
00:42:30,960 --> 00:42:33,560
and deny them, and say, um,

974
00:42:33,640 --> 00:42:35,720
"Sorry. We know our market
better than you do,

975
00:42:35,800 --> 00:42:37,320
and we don't think
they're any good."

976
00:42:37,400 --> 00:42:39,440
So I would then take
the record back from them

977
00:42:39,520 --> 00:42:41,320
and try and get it out
with another label.

978
00:42:41,880 --> 00:42:45,720
And I did negotiations
with Swan and with Vee-Jay,

979
00:42:46,000 --> 00:42:47,120
each of whom,

980
00:42:47,200 --> 00:42:49,040
just very tiny labels
in the States,

981
00:42:49,280 --> 00:42:51,160
took one or the other titles,

982
00:42:51,360 --> 00:42:53,600
and they put those records
out in America.

983
00:42:53,800 --> 00:42:55,040
And, of course,
being a small label,

984
00:42:55,120 --> 00:42:59,760
they didn't make a great deal
of, uh, of... of, um, success.

985
00:43:00,200 --> 00:43:01,480
And that was the way
it worked out.

986
00:43:01,560 --> 00:43:03,680
We released, uh,
"Please Please Me".

987
00:43:03,760 --> 00:43:06,400
- [♪ "Please Please Me" playing]
<i>- ♪ Please, please me, whoa, yeah ♪</i>

988
00:43:06,600 --> 00:43:07,960
- [♪ music concludes]
- Flop! "From Me To You".

989
00:43:08,040 --> 00:43:10,480
- [♪ "From Me To You" playing]
<i>- ♪ With love from me to you ♪</i>

990
00:43:10,560 --> 00:43:12,720
- [♪ music concludes]
- Flop! Changed record labels...

991
00:43:12,800 --> 00:43:15,760
- [♪ "She Loves You" playing]
<i>- ♪ She loves you, yeah, yeah, yeah ♪</i>

992
00:43:15,960 --> 00:43:18,600
[Paul] Released "She Loves You".
They'd all been big hits in...

993
00:43:18,680 --> 00:43:20,080
- in England. All been No. 1.
- [♪ music concludes]

994
00:43:20,480 --> 00:43:21,680
All of them flops. Nothing!

995
00:43:21,760 --> 00:43:22,760
[engineer] <i>Take 2.</i>

996
00:43:22,840 --> 00:43:24,080
[John] <i>No. I think</i>
<i>it should start loud,</i>

997
00:43:24,160 --> 00:43:25,360
<i>you know,
'cause when you first hear it.</i>

998
00:43:25,440 --> 00:43:26,640
[George Martin] <i>We're rolling.</i>
<i>Here we go.</i>

999
00:43:26,760 --> 00:43:28,240
- [John] <i>Thing I didn't like about...</i>
- [Paul] <i>Shh. Shh.</i>

1000
00:43:28,320 --> 00:43:30,960
<i>Clean beginning.
One, two, three.</i>

1001
00:43:31,040 --> 00:43:34,040
[♪ "I Want To Hold
Your Hand" playing]

1002
00:43:37,520 --> 00:43:38,720
- [♪ Track breaks down]
- [engineer] <i>Take 9.</i>

1003
00:43:38,840 --> 00:43:40,400
[♪ Guitar intro
to "I Want To Hold Your Hand"]

1004
00:43:40,480 --> 00:43:41,800
- [George Martin] <i>Here we go.</i>
- [Paul] <i>Shh.</i>

1005
00:43:41,880 --> 00:43:43,400
[John continues playing]
<i>I love that.</i>

1006
00:43:43,480 --> 00:43:44,920
[Paul] <i>Shh. Ready? Shh.</i>

1007
00:43:45,000 --> 00:43:46,560
<i>First one very...
initial attack.</i>

1008
00:43:46,640 --> 00:43:48,600
<i>- One, two, three.</i>
- [♪ Intro starts, stops]

1009
00:43:48,680 --> 00:43:50,440
- [Paul] <i>No. The first one a loud...</i>
- [guitar being tuned]

1010
00:43:50,520 --> 00:43:51,680
- [John] <i>Oh.</i>
- [Paul] <i>...attack!</i>

1011
00:43:51,760 --> 00:43:53,200
<i>The second one
not quite so loud.</i>

1012
00:43:53,360 --> 00:43:55,280
<i>Just try it.
Oh... Well, do it anyway.</i>

1013
00:43:55,360 --> 00:43:57,000
<i>We'll just blast that bit,
that one bit.</i>

1014
00:43:57,160 --> 00:43:59,200
- [George Martin] <i>Here we go.</i>
- [engineer] <i>This is 13.</i>

1015
00:43:59,360 --> 00:44:00,560
[Paul] <i>Hang on, George has...</i>

1016
00:44:00,680 --> 00:44:02,040
- [John] <i>What?</i>
- [Paul] <i>Just do it! Do it!</i>

1017
00:44:02,440 --> 00:44:03,560
<i>One, two, three.</i>

1018
00:44:03,640 --> 00:44:06,640
[♪ "I Want To Hold
Your Hand" playing]

1019
00:44:10,400 --> 00:44:11,880
♪ <i>Oh yeah, I... ♪</i>

1020
00:44:11,960 --> 00:44:12,960
[♪ Track breaks down]

1021
00:44:13,040 --> 00:44:14,240
- [John] <i>Do it slower.</i>
- [Paul] <i>No!</i>

1022
00:44:14,320 --> 00:44:16,040
[John laughs] <i>I couldn't hear</i>
<i>what chords they were going to.</i>

1023
00:44:16,120 --> 00:44:18,480
- [Paul] <i>One, two, three!</i>
- [♪ Intro starts, breaks down]

1024
00:44:18,560 --> 00:44:19,920
[John] <i>Missed it again.</i>
<i>It's me hand's going.</i>

1025
00:44:20,000 --> 00:44:21,840
- [engineer] <i>17.</i>
- [Paul] <i>One, two, three...</i>

1026
00:44:21,920 --> 00:44:23,160
[♪ "I Want To Hold Your Hand" playing]

1027
00:44:23,240 --> 00:44:24,480
[George Martin]
"I Want To Hold Your Hand"

1028
00:44:24,560 --> 00:44:26,400
wasn't designed specifically
for the American market,

1029
00:44:26,560 --> 00:44:28,920
but like the ones before it,
it was a great record.

1030
00:44:29,000 --> 00:44:32,360
♪ <i>Oh yeah,</i>
<i>I'll tell you something ♪</i>

1031
00:44:33,560 --> 00:44:36,080
<i>♪ I think you'll understand ♪</i>

1032
00:44:36,440 --> 00:44:39,400
<i>♪ When I say that something ♪</i>

1033
00:44:40,680 --> 00:44:43,800
♪ <i>I wanna hold your hand ♪</i>

1034
00:44:44,040 --> 00:44:47,320
<i>♪ I wanna hold your hand ♪</i>

1035
00:44:47,840 --> 00:44:50,160
<i>♪ I wanna hold your hand ♪</i>

1036
00:44:50,960 --> 00:44:53,840
<i>♪ Oh, please, say to me ♪</i>

1037
00:44:55,120 --> 00:44:57,600
♪ <i>You'll let me be your man ♪</i>

1038
00:44:57,920 --> 00:45:01,160
<i>♪ And, please, say to me ♪</i>

1039
00:45:02,320 --> 00:45:05,520
<i>♪ You'll let me hold your hand ♪</i>

1040
00:45:05,880 --> 00:45:09,120
<i>♪ Now let me hold your hand ♪</i>

1041
00:45:09,560 --> 00:45:12,040
<i>♪ I wanna hold your hand ♪</i>

1042
00:45:13,400 --> 00:45:16,120
[George Martin] <i>By this time,</i>
<i>the news from England and Europe</i>

1043
00:45:16,640 --> 00:45:19,520
<i>was overwhelming,
that they were a hit group.</i>

1044
00:45:20,840 --> 00:45:23,240
<i>And also, uh,
the Swan and Vee-Jay labels</i>

1045
00:45:23,320 --> 00:45:25,520
<i>were making inroads,
they were selling by this time.</i>

1046
00:45:26,520 --> 00:45:28,280
<i>So Capitol were forced
to release</i>

1047
00:45:28,360 --> 00:45:29,600
<i>"I Want To Hold Your Hand".</i>

1048
00:45:30,480 --> 00:45:31,840
[George] <i>But at that time,</i>
<i>I didn't realize</i>

1049
00:45:31,920 --> 00:45:34,280
<i>that Capitol Records
had been told,</i>

1050
00:45:34,360 --> 00:45:36,000
<i>you know, "You can... Okay."</i>

1051
00:45:36,080 --> 00:45:37,720
<i>They wanted
to have the Beatles, you see.</i>

1052
00:45:37,800 --> 00:45:40,600
<i>"Then Brian Epstein said," Okay.
Well, you can have 'em then,</i>

1053
00:45:41,080 --> 00:45:45,640
<i>on condition you spend 70,000
dollars advertising them,"</i>

1054
00:45:45,720 --> 00:45:48,360
<i>which sounded enormous,
but they did.</i>

1055
00:45:48,440 --> 00:45:50,480
<i>So that was part of the deal.
They had to promote us.</i>

1056
00:45:52,160 --> 00:45:55,520
♪ <i>I wanna hold your hand ♪</i>

1057
00:45:55,720 --> 00:45:59,760
<i>♪ I wanna hold your hand ♪</i>

1058
00:45:59,880 --> 00:46:00,920
[♪ music concludes]

1059
00:46:01,240 --> 00:46:04,360
{\an8}[♪ "All You Need Is Love"
intro playing]

1060
00:46:09,040 --> 00:46:10,800
- [♪ music concludes]
- [Paul] <i>The funny thing about France was,</i>

1061
00:46:10,960 --> 00:46:13,600
<i>it was boys screaming.
It was boys. So we got...</i>

1062
00:46:14,320 --> 00:46:16,080
[in French accent]
..."Le Beatle! Le Beatle!

1063
00:46:16,160 --> 00:46:18,560
Voilà!" [speaks indistinctly]
<i>"Paul! John!"</i>

1064
00:46:18,640 --> 00:46:20,520
<i>It was, like...</i> [chuckles]
<i>"Yeah. </i>Oui.<i> Okay,"</i>

1065
00:46:20,600 --> 00:46:22,160
<i>you know, like, "Dear me!"</i>

1066
00:46:22,280 --> 00:46:25,480
[George] <i>We had visions of all</i>
<i>these French girls, you know,</i>

1067
00:46:25,560 --> 00:46:27,120
<i>"ooh la la" and all that,</i>

1068
00:46:27,240 --> 00:46:30,160
<i>and instead, the audience,
at least on the opening night...</i>

1069
00:46:30,240 --> 00:46:31,760
- [crowd chanting] <i>Ringo!</i>
<i>- ...all seemed to be boys,</i>

1070
00:46:31,880 --> 00:46:33,520
<i>shouting, "Ringo! Ringo!"</i>

1071
00:46:33,600 --> 00:46:36,760
<i>We didn't see any
of the Brigitte Bardot kind</i>

1072
00:46:36,840 --> 00:46:38,280
<i>that we were expecting to see.</i>

1073
00:46:38,360 --> 00:46:40,280
[Ringo] <i>It was very strange</i>
<i>because, uh,</i>

1074
00:46:40,560 --> 00:46:42,200
<i>suddenly we had all these boys.</i>

1075
00:46:42,280 --> 00:46:46,120
<i>And the audience was like a...
a roar instead of a scream,</i>

1076
00:46:46,280 --> 00:46:48,000
<i>where we'd been so used to
the girls, you know.</i>

1077
00:46:48,080 --> 00:46:49,680
- [♪ "Twist And Shout" playing]
- [Paul] <i>But I don't think</i>

1078
00:46:49,800 --> 00:46:52,360
<i>we went down that well,
but I think we built it over the few days,</i>

1079
00:46:52,480 --> 00:46:55,040
<i>we kind of built it up.
And, uh, eventually it was...</i>

1080
00:46:55,120 --> 00:46:56,720
<i>it was a bit
of a success, you know.</i>

1081
00:46:56,800 --> 00:46:58,200
<i>But it wasn't quite
what we were used to.</i>

1082
00:46:58,280 --> 00:46:59,800
<i>We were used to
a little bit more</i>

1083
00:47:00,160 --> 00:47:01,720
<i>instant success than that.</i>

1084
00:47:02,480 --> 00:47:04,360
<i>♪ Ah ♪</i>

1085
00:47:04,440 --> 00:47:05,800
<i>♪ Yeah! ♪</i>

1086
00:47:10,080 --> 00:47:12,160
- [♪ Music concludes]
- [crowd cheering, applauding]

1087
00:47:12,560 --> 00:47:14,720
[Paul] We got a telegram
in the evening.

1088
00:47:14,800 --> 00:47:17,560
After one of the shows, we were
having a drink at the hotel,

1089
00:47:17,960 --> 00:47:19,680
and it came... it came, uh,

1090
00:47:20,120 --> 00:47:22,560
"CAPITOL RECORDS...
CONGRATULATIONS, LADS!

1091
00:47:22,640 --> 00:47:25,160
NO. 1 IN U.S. CHARTS!"
or something.

1092
00:47:25,440 --> 00:47:26,720
So we all hit the roof.

1093
00:47:26,800 --> 00:47:29,360
I remember riding around
on Mal Evans's back

1094
00:47:29,440 --> 00:47:31,080
for about 20 minutes, or so,

1095
00:47:31,160 --> 00:47:33,080
"Yeah-he-hey! Whew!"

1096
00:47:33,280 --> 00:47:35,360
And he was, you know,
happy to bear me.

1097
00:47:35,760 --> 00:47:39,600
It was just very high, uh,
hysterics, you know.

1098
00:47:40,080 --> 00:47:41,440
{\an8}[George Martin]
And Brian rang me

1099
00:47:41,520 --> 00:47:42,960
{\an8}round about half past one
in the morning.

1100
00:47:43,040 --> 00:47:44,960
{\an8}He said, "I know
you won't mind being woken up."

1101
00:47:45,040 --> 00:47:46,640
{\an8}I said, "Well,
I wasn't asleep anyway."

1102
00:47:47,360 --> 00:47:49,200
He said, "Well,
I've just heard from America.

1103
00:47:50,080 --> 00:47:51,080
We're No. 1!"

1104
00:47:52,440 --> 00:47:53,600
[inhales deeply] "Fantastic!"

1105
00:47:53,680 --> 00:47:55,720
And he said, "Do you want
to come round?" "Not half!"

1106
00:47:55,800 --> 00:47:58,480
So we all went round
and had a great drink-up.

1107
00:47:58,760 --> 00:48:01,240
And it was lovely. Super.
We never went to bed that night.

1108
00:48:02,040 --> 00:48:03,120
It was a great feeling

1109
00:48:03,200 --> 00:48:06,520
because we were booked
to go there

1110
00:48:07,000 --> 00:48:09,360
directly after the Paris trip,
so it was,

1111
00:48:09,560 --> 00:48:11,800
you know, it was handy
to have a No. 1.

1112
00:48:12,240 --> 00:48:14,200
John, so far,
all British pop stars

1113
00:48:14,280 --> 00:48:15,840
have not made
a tremendous impact

1114
00:48:15,920 --> 00:48:17,640
on the States. How do you
think you're going to fare?

1115
00:48:18,040 --> 00:48:22,240
Well, I can't really say, can I?
I mean, is it up to me? No.

1116
00:48:22,320 --> 00:48:24,440
I mean, I just hope
we go all right, you know.

1117
00:48:24,600 --> 00:48:25,880
[♪ "I Want To Hold
Your Hand" playing]

1118
00:48:26,000 --> 00:48:28,360
{\an8}<i>♪ Oh yeah,
I'll tell you something ♪</i>

1119
00:48:29,440 --> 00:48:32,040
{\an8}<i>♪ I think you'll understand ♪</i>

1120
00:48:32,120 --> 00:48:35,440
<i>♪ When I say that something ♪</i>

1121
00:48:36,440 --> 00:48:39,840
<i>♪ I wanna hold your hand ♪</i>

1122
00:48:40,160 --> 00:48:41,960
<i>♪ I wanna hold your hand... ♪</i>

1123
00:48:42,080 --> 00:48:43,280
[John] <i>Yeah,</i>
<i>I know on the plane over,</i>

1124
00:48:43,360 --> 00:48:44,640
<i>I was thinking,
"Oh, we won't make it,"</i>

1125
00:48:44,720 --> 00:48:46,360
<i>or I said it on a film
somewhere, you know.</i>

1126
00:48:46,680 --> 00:48:48,880
<i>But that's the side... </i>[chuckles]
<i>...that's </i>that<i> side of me.</i>

1127
00:48:49,280 --> 00:48:50,480
<i>We knew we would wipe it,</i>

1128
00:48:50,560 --> 00:48:52,600
<i>wipe 'em out, if we could
just get a grip on you.</i>

1129
00:48:53,560 --> 00:48:55,440
<i>♪ And, please... ♪</i>

1130
00:48:55,520 --> 00:48:57,240
[Neil Aspinall] <i>It was like</i>
<i>flying into the unknown.</i>

1131
00:48:57,320 --> 00:48:58,760
{\an8}<i>You didn't know what to expect.</i>

1132
00:48:58,960 --> 00:49:01,520
{\an8}<i>You know, we were going to...
going to America, right?</i>

1133
00:49:01,600 --> 00:49:03,160
{\an8}<i>And it was the first time
for everybody,</i>

1134
00:49:03,240 --> 00:49:04,640
{\an8}<i>except George, you know.</i>

1135
00:49:05,360 --> 00:49:07,800
<i>♪ I wanna hold your hand ♪</i>

1136
00:49:09,360 --> 00:49:15,240
<i>♪ And when I touch you
I feel happy inside ♪</i>

1137
00:49:16,600 --> 00:49:20,720
<i>♪ It's such a feeling
that my love ♪</i>

1138
00:49:21,000 --> 00:49:22,560
<i>♪ I can't hide ♪</i>

1139
00:49:22,880 --> 00:49:24,560
<i>♪ I can't hide ♪</i>

1140
00:49:24,640 --> 00:49:28,480
<i>♪ I can't hide ♪</i>

1141
00:49:28,560 --> 00:49:29,720
<i>♪ Yeah, you've... ♪</i>

1142
00:49:29,800 --> 00:49:31,320
[Ringo] <i>I remember</i>
<i>before landing,</i>

1143
00:49:31,400 --> 00:49:32,640
<i>it was so exciting.</i>

1144
00:49:32,840 --> 00:49:34,680
<i>As the plane flew over New York,</i>

1145
00:49:35,400 --> 00:49:37,640
<i>I really felt like some,
you know, sci-fi movie</i>

1146
00:49:37,720 --> 00:49:40,640
<i>had gone down and a big octopus
grabbed the plane</i>

1147
00:49:41,160 --> 00:49:43,160
<i>and was dragging us down
to New York,</i>

1148
00:49:43,240 --> 00:49:44,760
<i>and it was all just so exciting.</i>

1149
00:49:44,840 --> 00:49:46,120
<i>This was America, you know.</i>

1150
00:49:46,400 --> 00:49:48,200
<i>Things we'd dreamt about
and heard about,</i>

1151
00:49:48,280 --> 00:49:50,320
<i>and all the music
we loved had come out of.</i>

1152
00:49:51,560 --> 00:49:53,960
{\an8}[Paul] <i>All the music we'd loved</i>
<i>had come from there</i>

1153
00:49:54,040 --> 00:49:56,600
{\an8}<i>so, I mean, just to...
just to be there was exciting.</i>

1154
00:49:56,960 --> 00:49:58,880
<i>But because we'd made
this strange condition</i>

1155
00:49:58,960 --> 00:50:02,760
<i>of being No. 1 before we went,
it was like going as princes.</i>

1156
00:50:03,360 --> 00:50:04,760
<i>I mean, you were just, you know,</i>

1157
00:50:04,840 --> 00:50:06,160
<i>there were millions of kids
at the airport,</i>

1158
00:50:06,240 --> 00:50:07,400
<i>which nobody expected.</i>

1159
00:50:07,600 --> 00:50:10,680
<i>And we heard about it mid-air,
as I recall, you know,</i>

1160
00:50:10,760 --> 00:50:12,520
<i>'cause there were journalists
on the plane</i>

1161
00:50:12,640 --> 00:50:14,840
<i>and, you know,
the pilot can ring ahead.</i>

1162
00:50:15,240 --> 00:50:18,640
<i>And, um, he said,
"Oh, you know, tell the boys</i>

1163
00:50:18,880 --> 00:50:20,720
<i>there's a big crowd
waiting for 'em there."</i>

1164
00:50:21,040 --> 00:50:22,920
{\an8}[Brian Epstein] <i>There was</i>
<i>a turning point in their career,</i>

1165
00:50:23,000 --> 00:50:25,200
{\an8}<i>a specific date on which
the breadth and scope</i>

1166
00:50:25,280 --> 00:50:26,920
{\an8}<i>of their future
was to be altered</i>

1167
00:50:27,480 --> 00:50:29,720
{\an8}<i>and it was the day their Pan Am
jet touched down</i>

1168
00:50:29,800 --> 00:50:31,800
<i>at Kennedy International
in New York</i>

1169
00:50:31,960 --> 00:50:33,520
<i>to a welcome which has
seldom been equaled</i>

1170
00:50:33,640 --> 00:50:34,720
<i>anywhere in history.</i>

1171
00:50:34,800 --> 00:50:38,800
<i>♪ ...your hand ♪</i>

1172
00:50:41,120 --> 00:50:43,040
[♪ music concludes]

1173
00:50:43,840 --> 00:50:46,520
[♪ "One After 909" playing]

1174
00:50:49,920 --> 00:50:51,480
<i>♪ Well, my baby said she's travelling ♪</i>

1175
00:50:51,560 --> 00:50:54,040
<i>♪ On the one after 909 ♪</i>

1176
00:50:56,320 --> 00:50:58,360
<i>♪ I shaid move over, honey ♪</i>

1177
00:50:58,600 --> 00:51:00,880
<i>♪ I'm travelling on that line ♪</i>

1178
00:51:03,120 --> 00:51:06,480
<i>♪ I shaid move over once,
move over twice ♪</i>

1179
00:51:07,200 --> 00:51:09,760
<i>♪ Come on, baby, don't be cold as ice ♪</i>

1180
00:51:10,160 --> 00:51:14,000
<i>♪ She said she's travelling
on the one after 909 ♪</i>

1181
00:51:16,200 --> 00:51:17,920
<i>♪ Well, I begged her not to go ♪</i>

1182
00:51:18,000 --> 00:51:20,360
<i>♪ And I begged her on my bended knee ♪</i>

1183
00:51:22,680 --> 00:51:24,880
<i>♪ I shaid you're only fooling round ♪</i>

1184
00:51:25,000 --> 00:51:27,080
<i>♪ Only fooling round with me ♪</i>

1185
00:51:29,120 --> 00:51:31,200
<i>♪ I shaid move over once ♪</i>

1186
00:51:31,600 --> 00:51:32,920
<i>♪ Move over twice ♪</i>

1187
00:51:33,400 --> 00:51:36,480
<i>♪ Come on, baby, don't be cold as ice ♪</i>

1188
00:51:36,720 --> 00:51:37,800
<i>♪ She said she's travelling ♪</i>

1189
00:51:37,880 --> 00:51:40,600
<i>♪ On the one after 909 ♪</i>

1190
00:51:43,360 --> 00:51:44,880
<i>♪ Pick up my bag ♪</i>

1191
00:51:46,920 --> 00:51:48,560
<i>♪ Run to the station ♪</i>

1192
00:51:49,840 --> 00:51:51,280
<i>♪ Rail man says ♪</i>

1193
00:51:52,440 --> 00:51:54,720
<i>♪ You've got the wrong location ♪</i>

1194
00:51:54,840 --> 00:51:56,080
<i>♪ Yeah ♪</i>

1195
00:51:56,520 --> 00:51:58,040
<i>♪ Pick up my bag ♪</i>

1196
00:51:59,800 --> 00:52:01,000
<i>♪ Run right home ♪</i>

1197
00:52:03,000 --> 00:52:05,200
<i>♪ Then I find ♪</i>

1198
00:52:05,880 --> 00:52:07,920
<i>♪ You got the number wrong ♪</i>

1199
00:52:08,000 --> 00:52:09,920
<i>♪ Well ♪</i>

1200
00:52:10,000 --> 00:52:11,040
<i>♪ She said she's travelling ♪</i>

1201
00:52:11,120 --> 00:52:13,360
<i>♪ On the one after 909 ♪</i>

1202
00:52:15,880 --> 00:52:17,680
<i>♪ I shaid move over, honey ♪</i>

1203
00:52:17,800 --> 00:52:20,400
<i>♪ I'm travelling on that line ♪</i>

1204
00:52:22,480 --> 00:52:24,360
<i>♪ I shaid move over once ♪</i>

1205
00:52:24,680 --> 00:52:26,080
<i>♪ Move over twice ♪</i>

1206
00:52:26,480 --> 00:52:29,240
<i>♪ Come on, baby, don't be cold as ice ♪</i>

1207
00:52:29,800 --> 00:52:30,880
<i>♪ She said she's travelling ♪</i>

1208
00:52:30,960 --> 00:52:33,320
<i>♪ On the one after 909 ♪</i>

1209
00:52:33,600 --> 00:52:36,680
<i>♪ Oh yeah, ow! ♪</i>

1210
00:52:36,760 --> 00:52:38,960
[♪ Guitar solo]

1211
00:52:54,720 --> 00:52:56,680
<i>♪ Well, my baby said she's travelling ♪</i>

1212
00:52:56,760 --> 00:52:57,760
<i>♪ On the one af... ♪</i>

1213
00:52:57,840 --> 00:52:59,280
[John] <i>Oh, fuckin' hell! I told you!</i>

1214
00:52:59,360 --> 00:53:00,360
[Paul] <i>It's </i>you!<i> It's </i>you!

1215
00:53:00,440 --> 00:53:01,480
[John] <i>You said we'd miss out</i>

1216
00:53:01,560 --> 00:53:02,720
<i>the middle eight. Oh.</i>

1217
00:53:02,800 --> 00:53:03,880
[Paul] <i>You've come in on the wrong...</i>

1218
00:53:03,960 --> 00:53:05,000
<i>halfway through the solo.</i>

1219
00:53:05,360 --> 00:53:06,360
{\an8}[John] <i>What was it, 12-bar?</i>

1220
00:53:06,440 --> 00:53:07,640
{\an8}[George Martin] <i>Yeah, yeah. 12-bar solo.</i>

1221
00:53:07,720 --> 00:53:09,160
{\an8}[Paul] <i>It wasn't, it was...</i>
[strums guitar chord]